Music is an art that touches the depth of human existence; an art of sounds that crosses all borders.
Daniel BarenboimRead
For me personally, Elliott Carter was and remains one of the most meaningful composers of the late 20th and early 21st centuries because he represents substance. He was the living proof of uncompromising, complex music, which at first seems inaccessible. But it becomes accessible if one digs in and sees the development through.
Interpretation
Elliott Carter's music embodies complexity and depth, requiring effort to appreciate fully.
In this quote, Daniel Barenboim expresses his admiration for the composer Elliott Carter, emphasizing that Carter's music, while initially challenging, reveals profound meaning and substance to those who are willing to invest the time and effort to understand it. This highlights the notion that true appreciation in art often demands deeper engagement and exploration.
In practice
In a lecture on modern composers, you might reference Carter to illustrate the evolution of contemporary music.
Music is an art that touches the depth of human existence; an art of sounds that crosses all borders.
You can't expect someone born into a family with no music... to understand when I'm conducting the Schoenberg Variations.
When we talk about music, we talk about our reaction to it. One person might say that music is so poetic, while another says it's all mathematics. Yet another might say it's about sensuality, and so on. That's all true. But music is not just one of these things. It's everything all at once.
Playing and listening to music gives you a sense of fulfilment because you have to put everything in you at its disposal.
You have to really have the will to hang onto the first note as it is being played, and then really stay with it and take the flight, as it were, you know, for the duration of the piece.
The greatness of a musician is measured by the degree of fanaticism he brings to his playing.
The singers who are the most honest are the ones who become immortalized.
Prose-it might be speculated-is discourse; poetry ellipsis. Prose is spoken aloud; poetry overheard. The one is presumably articulate and social, a shared language, the voice of "communication"; the other is private, allusive, teasing, sly, idiosyncratic as the spider's delicate web, a kind of witchcraft unfathomable to ordinary minds.
When you play a sax, that saxophone is irreverent. It's noisy; it's a trickster... you cannot hide the saxophone in your hands, so it's a good teacher.
The world is filled with archaic objects - mailboxes which look like alarm boxes, banks which look like places to break out of rather than places to enter.
The work that lasts over time is the work which still speaks to us when all contemporary interest in that work is extinct.
The curious thing about the Ready-Made is that I've never been able to arrive at a definition or explanation that fully satisfies me. There's still magic in the idea, so I'd rather keep it that way than try to be exoteric about it.
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