Tell troth and shame the devil.
Ben JonsonRead
We are persons of quality, I assure you, and women of fashion, and come to see and to be seen.
Interpretation
The quote reflects the social dynamics of individuals who elevate their status through appearances and presence in fashionable circles.
In this quote, Ben Jonson highlights the superficiality of social interactions among the elite, where the importance lies more in one's image and reputation rather than genuine character or substance. The emphasis on being both 'persons of quality' and 'women of fashion' underscores a societal trend where visibility and style overshadow deeper values, making the act of 'seeing and being seen' a fundamental aspect of their existence.
In practice
This quote can be used in a discussion about the importance of fashion in modern society.
Tell troth and shame the devil.
All concord's born of contraries.
Queen and huntress, chaste and fair Now the sun is laid to sleep, Seated in thy silver chair, State in wonted manner keep: Hesperus entreats thy light Goddess, excellently bright.
I know no disease of the soul but ignorance, a pernicious evil, the darkener of man's life, the disturber of his reason, and common confounder of truth.
You are not now to think what's best to do, _x000D_ As in beginnings, but what must be done, _x000D_ Being thus enter'd; and slip no advantage _x000D_ That may secure you. Let them call it mischief; _x000D_ When it is past, and prosper'd , 'twill be virtue.
Very few men are wise by their own council, or learned by their own teaching. For he that was only taught by himself, had a fool for a master.
Once I knew that I wanted to be an artist, I had made myself into one. I did not understand that wanting doesn't always lead to action. Many of the women had been raised without the sense that they could mold and shape their own lives, and so, wanting to be an artist (but without the ability to realize their wants) was, for some of them, only an idle fantasy, like wanting to go to the moon.
What I'm fighting for now in my work... for an expression relevant to all manner of blacks, poems I could take into a tavern, into the street, into the halls of a housing project.
I tend to believe that film can try to save what still can be saved, in terms of our histories, our memories. Because a lot of things are disappearing very quickly, things are changing. We are living in very quick times, and we have a new generation who basically know nothing about events 30 years ago.
I come from a mixed family, where my mother is art house cinema and my father is B-movie genre cinema. They're estranged, and I've been trying to bring them together for all of my career to one degree or another.
So much for endings. Beginnings are always more fun. True connoisseurs, however, are known to favor the stretch in between, since it's the hardest to do anything with. That's about all that can be said for plots, which anyway are just one thing after another, a what and a what and a what.
All art really does is keep you focused on questions of humanity, and it really is about how do we get on with our maker.
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