A photograph has edges the world does not.
Interpretation
Photography captures a unique perspective of the world, framing moments that may otherwise go unnoticed.
This quote by Stephen Shore highlights the artistic nature of photography, suggesting that a photograph can capture and define a moment in a way that reality does not. The 'edges' refer to both the literal borders of a photograph and the metaphorical boundaries created by the photographer's perspective, allowing for a distinct interpretation of life that may not be present in everyday experience.
In practice
During a photography workshop, you could use this quote to emphasize the importance of perspective.
I meet young artists and it becomes clear that with some the main motivation is getting a show in Chelsea. It strikes me that this is very different to the way it was for me, which was that I wanted to understand photography and the world and myself.
To see something spectacular and recognise it as a photographic possibility is not making a very big leap. But to see something ordinary, something you’d see every day, and recognize it as a photographic possibility - that is what I am interested in.
This idea of imposing an order is very interesting to me. Photography is in essence an analytic medium. … In photography, you start with the whole world and every decision you make imposes an order on it. The question is to what extent it’s an idealized order I’m imposing or is it an order that grows out of what the world looks like.
There's something arbitrary about taking a picture. So I can stand at the edge of a highway and take one step forward and it can be a natural landscape untouched by man and I can take one step back and include a guardrail and change the meaning of the picture radically... I can take a picture of a person at one moment and make them look contemplative and photograph them two seconds later and make them look frivolous.
Photographers have to impose order, bring structure to what they photograph. It is inevitable. A photograph without structure is like a sentence without grammar-it is incomprehensible, even inconceivable.
I wanted to make pictures that felt natural, that felt like seeing, that didn’t feel like taking something in the world and making a piece of art out of it.
Work on a good piece of writing proceeds on three levels: a musical one, where it is composed, an architectural one, where it is constructed, and finally a textile one, where it is woven.
If the writing is honest it cannot be separated from the man who wrote it.
I am against the line and all its consequences: contours, forms, composition. All paintings of whatever sort, figurative or abstract, seem to me like prison windows in which the lines, precisely are the bars.
Recounting the strange is like telling one's dreams: one can communicate the events of a dream, but not the emotional content, the way that a dream can colour one's entire day.
Now that the black experience isn't viewed as box-office death, people are catching up to untapped auteurs.
Songwriters can’t explain. You get an idea and you don’t know where it’s come from. And if you’re lucky, you have a pencil or pen and can write it down.
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