The more dollars the studio producers put in, the less freedom we have. If the budget hits $100m, they get scared - they'll take the existing score of a successful movie and expect composers to copy it, like wallpaper. The biggest challenge for any composer in Hollywood is to be as creative as possible within those boundaries.

My mind and fingers have worked like the damned. Homer, the Bible, Plato, Locke, Lamartine, Chateaubriand, Beethoven, Bach, Hummel, Mozart, Weber are all around me. I study them. I devour them with fury.

I think all art is about control, the encounter between control and uncontrollable.

Writing can be taken up at any point. But you need to remember that the arts are fundamentally unfair. Hard work and diligence won't necessarily take you all the way. Talent, nepotism, influence, and pure luck play a huge part.

The great film editor is not a cutter, he's a storyteller, right?

Because you have things like 'American Idol' and you've got radio stations that play music made entirely by computers, it's easy to forget there are bands with actual people playing actual instruments that rock.