We look at a painting to know the painter; it's his company we are after, not his skill.
James WhistlerRead
To say of a picture, as is often said in its praise, that it shows great and earnest labour, is to say that it is incomplete and unfit for view.
Interpretation
A picture should be admired for its beauty rather than for the effort put into creating it.
James Whistler critiques the idea that a painting is commendable merely for the effort and labor that went into its creation. He suggests that true artistry should lead to a completed, visually pleasing work rather than a piece that suggests struggle and labor without delivering aesthetic value.
In practice
In an art critique, one might refer to Whistlerβs quote to emphasize the importance of aesthetic value over just hard work.
We look at a painting to know the painter; it's his company we are after, not his skill.
I maintain that two and two would continue to make four, in spite of the whine of the amateur for three, or the cry of the critic for five.
To say to the painter that Nature is to be taken as she is, is to say to the player that he may sit on the piano.
An artist is not paid for his labor but for his vision.
Art happens-no hovel is safe from it, no prince may depend upon it, the vastest intelligence cannot bring it about.
Art is a form of supremely delicate awareness and atonement β meaning atoneness, the state of being at one with the object.
You see, what is my purpose of performance artist is to stage certain difficulties and stage the fear the primordial fear of pain, of dying, all of which we have in our lives, and then stage them in front of audience and go through them and tell the audience, 'I'm your mirror; if I can do this in my life, you can do it in yours.'
The great problem was the selection of the readymade. I needed to choose an object without it impressing me: that is to say, without it providing any sort of aesthetic delectation. Moreover, I needed to reduce my own personal taste to absolute zero.
A song ain't nothing but a conversation fixed up to where you can talk it over and over without getting tired of it.
The pleasure of writing fiction is that you are always spotting some new approach, an alternative way of telling a story and manipulating characters; the novel is such a wonderfully flexible form.
Certainly, my many years working in the comics industry, creating products that I do not own, has made me rather fierce on the subject of giving up rights.
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