Sickness, insanity and death were the angels that surrounded my cradle and they have followed me throughout my life.
Edvard MunchRead
Painting picture by picture, I followed the impressions my eye took in at heightened moments. I painted only memories, adding nothing, no details that I did not see. Hence the simplicity of the paintings, their emptiness.
Interpretation
The quote emphasizes painting as a process that captures genuine memories and perceptions without unnecessary embellishments.
Edvard Munch reflects on his artistic philosophy, where each painting is a direct representation of his memories and impressions, void of added details or complexities. This approach highlights the purity and simplicity of his work, suggesting that true art stems from authentic experiences rather than overthinking or overcomplicating the subject.
In practice
This quote can be used in an art class to inspire students to focus on their own experiences when creating art.
Sickness, insanity and death were the angels that surrounded my cradle and they have followed me throughout my life.
I don’t believe in an art that is not born out of man’s need to open his heart.
Through my art I have tried to explain my life and its meaning. I have also intended to help others to clarify their lives.
My fear of life is necessary to me, as is my illness. Without anxiety and illness, I am a ship without a rudder. My art is grounded in reflections over being different from others. My sufferings are part of my self and my art. They are indistinguishable from me, and their destruction would destroy my art. I want to keep those sufferings
At different moments you see with different eyes. You see differently in the morning than you do in the evening. In addition, how you see is also dependent on your emotional state. Because of this, a motif can be seen in many different ways, and this is what makes art interesting.
From my rotting body, flowers shall grow and I am in them and that is eternity.
I am seeking that dance which might be the divine expression of the human spirit through the medium of the body's movement.
I like everything that has no style: dictionaries, photographs, nature, myself and my paintings. (Because style is violent, and I am not violent.)
When I take a black-and-white portrait, it's not particularly meant to please you. It's meant to talk to you; it's meant to shame you. It's meant to scream out at you, and it has a message.
A work of art has no importance whatever to society. It is only important to the individual.
One has a nose. The nose scents and it chooses. An artist is simply a kind of pig snouting truffles.
I started out really young, when I was four, five, six, writing poems, before I could play an instrument. I was writing about things when I was eight or 10 years old that I hadn't lived long enough to experience. That's why I also believe in reincarnation, that we were put here with ideas to pass around.
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