I make pictures and someone comes in and calls it art.
Interpretation
The distinction between creation and classification highlights the subjective nature of art.
Willem De Kooning's quote reflects the idea that the act of creating visual work is separate from the interpretation that follows. It emphasizes the subjective nature of art, suggesting that what one person considers a picture or piece of work can only be defined as art by someone else's perspective. This dichotomy invites reflection on the role of the artist and the audience in the appreciation and definition of art.
In practice
During an art class, to inspire students about the subjective nature of art.
I paint the way I do because I can keep on putting more and more things in - like drama, pain, anger, love, a figure, a horse, my ideas of space. It doesn't matter if it differs from mine, as long as it comes from the painting, which has its own integrity and intensity.
The attitude that nature is chaotic and that the artist puts order into it is a very absurd point of view, I think. All that we can hope for is to put some order into ourselves.
I don't paint to live, I live to paint.
Spiritually I am wherever my spirit allows me to be, and that is not necessarily in the future... Art never seems to make me peaceful or pure.
Im not someone whos ever said anything definitive about his work. In my life also I have very little fixed form. I can change overnight.
Art should not have to be a certain way.
Greek architecture taught me that the column is where the light is not, and the space between is where the light is. It is a matter of no-light, light, no-light, light. A column and a column brings light between them. To make a column which grows out of the wall and which makes its own rhythm of no-light, light, no-light, light: that is the marvel of the artist.
So much of movie acting is in the lighting. And in loving your characters. I try to know them, and with that intimacy comes love. And now, I love Voldemort.
They'll sell you thousands of greens. Veronese green and emerald green and cadmium green and any sort of green you like; but that particular green, never.
What I do is unusual: chordal movements that have never been used before, changing keys and modalities mid-song.
I get good references from a wide range of music. Something who's been a good influence in the last few years is Qawwali music. If you listen to a Qawwali singer like Aziz Mian - he's like James Brown. Qawwali is like Pakistani gospel-jazz. It's emotional, but it's also improvised, and it's all about that sacred-and-profane tightrope.
Dodging and burning are steps to take care of mistakes God made in establishing tonal relationships.
Subscribe for the occasional hand-picked quote. No noise.