Free, only want to be free, we huddle close, hang on to a dream.
Neil DiamondRead
You have to go out there and give a piece of yourself -- your life, your soul. And you better give the audience everything you can -- physically, emotionally, musically. Then maybe they'll accept you and give you a standing ovation at the end.
Interpretation
The quote emphasizes the importance of fully investing yourself in your art or performance to gain acceptance and appreciation from an audience.
Neil Diamond's quote speaks to the dedication and vulnerability required when sharing one's art with others. It suggests that true connection with an audience comes from giving not only your skills but also your innermost self β your life and soul β in the performance. This total commitment can lead to genuine appreciation and recognition, symbolized by the standing ovation.
In practice
This quote can inspire artists at a motivational speaking event.
Free, only want to be free, we huddle close, hang on to a dream.
But you make me sing like a guitar humming . . .
My voice is unadorned. I don't try for perfection. I try to be honest and truthful and soulful with the voice I have. If I make mistakes in notes, or there are cracks in notes, I don't fix them. That's the way it is.
I have a lot of confidence, but little Self-Esteem. This has given me a tremendous creative spark because it forced me to keep proving myself.
I didn't want to repeat my mistakes so I stopped, took some time out and started having therapy. My songs were bringing up feelings inside of me I didn't really understand, so I wanted to understand where they were coming from to help me be a better person and a better songwriter.
If it can affect me, if it has meaning to me, if I feel I can do it well, I will do it and record it and thats why I recorded these songs.
Science for me is very close to art. Scientific discovery is an irrational act. It's an intuition which turns out to be reality at the end of it-and I see no difference between a scientist developing a marvellous discovery and an artist making a painting.
I am against the line and all its consequences: contours, forms, composition. All paintings of whatever sort, figurative or abstract, seem to me like prison windows in which the lines, precisely are the bars.
My films, I've tried to put a message into them. It's not about the gore; it's not about the horror element that are in them. It's more about the message, for me. That's what it is, and I'm using this platform to be able to show my feelings of what I think.
Work on a good piece of writing proceeds on three levels: a musical one, where it is composed, an architectural one, where it is constructed, and finally a textile one, where it is woven.
I'm lucky enough to be able to make only movies I'm interested in seeing. That has to be an instinctive thrust. The audience knows when you're faking it. They can hang any kind of moniker they want on me.
I'm one of those people who says, 'yes, cinema died when they invented sound.'
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