What we want is to see the child in pursuit of knowledge, and not knowledge in pursuit of the child.
George Bernard ShawRead
You use a glass mirror to see your face; you use works of art to see your soul.
Interpretation
Art reflects our inner selves just as a mirror reflects our outward appearance.
In this quote, George Bernard Shaw suggests that while mirrors allow us to see our physical selves, art serves a deeper purpose by revealing the essence of our souls and emotions. Through engaging with art, individuals can explore their identities, feelings, and thoughts in a way that transcends the superficial reflection provided by a mirror.
In practice
During an art exhibition speech, one might say this quote to highlight the significance of personal connection to art.
What we want is to see the child in pursuit of knowledge, and not knowledge in pursuit of the child.
Marriage is good enough for the lower classes: they have facilities for desertion that are denied to us.
Forgive him, for he believes that the customs of his tribe are the laws of nature!
Those who talk most about the blessings of marriage and the constancy of its vows are the very people who declare that if the chain were broken and the prisoners left free to choose, the whole social fabric would fly asunder. You cannot have the argument both ways. If the prisoner is happy, why lock him in? If he is not, why pretend that he is?
Treat a friend as a person who may someday become your enemy; an enemy as a person who may someday become your friend.
The happiness of credulity is a cheap and dangerous quality.
It's a great thing that the United States has given the rest of the world - no other country has given such great popular music to the Far East and Europe. When I play those great countries, a lot of times, the audience starts singing the songs with me. They know them. They love them.
There will be no new music until it's good enough and until I'm ready.
A songwriter's supreme challenge is being complex and simple at the same time
Writing is a consequence of having been 'haunted' by material. Why this is, no one knows.
It's kind of the filmmaker's job to use visual, cinematic language in a way possible to tell a story that reaches and touches as many people as possible.
Playing good girls in the '30s was difficult, when the fad was to play bad girls. Actually I think playing bad girls is a bore; I have always had more luck with good girl roles because they require more from an actress.
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