Pixar films are not realistic. They are believable for the worlds we are creating.
John LasseterRead
Pixar has been compared to fine furniture makers who polish the backs of drawers - even if you don't see everything in a particular scene, you still feel that every little detail has been met.
Interpretation
Attention to detail is crucial in art, even in aspects that may not be visible to the audience.
This quote by John Lasseter emphasizes the importance of meticulous craftsmanship in the world of animation and storytelling. Just as fine furniture makers ensure that every part of their work is refined, regardless of visibility, Pixar instills a similar devotion to detail in their scenes, creating an immersive experience for the viewer that is felt rather than explicitly seen.
In practice
Using this quote in a discussion about the intricacies of animation and what makes Pixar successful.
Pixar films are not realistic. They are believable for the worlds we are creating.
Everything I do and everything Pixar does is based on a simple rule: Quality is the best business plan, period.
You know, going to the movies has always been recession-proof. It's fairly cheap entertainment; it's classic escapism.
At Pixar, good ideas may be cut from a film, but they are never forgotten.
If you're sitting in your minivan, playing your computer animated films for your children in the back seat, is it the animation that's entertaining you as you drive and listen? No, it's the storytelling. That's why we put so much importance on story. No amount of great animation will save a bad story.
Pixar is not about computers, it's about people.
I wish you could see the two cats drowsing side by side in a Victorian nursing chair, their paws, their ears, their tails complementarily adjusted, their blue eyes blinking open on a single thought of when I shall remember it's their supper time. They might have been composed by Bach for two flutes.
What I mean by 'abstract' is something which comes to life spontaneously through a gamut of contrasts, plastic at the same time as psychic, and pervades both the picture and the eye of the spectator with conceptions of new and unfamiliar elements.
What is it precisely, that feeling of 'returning' from a poem? Something is lighter, softer, larger - then it fades, but never completely.
Failure in the theater is more dramatic and uglier than any other form of writing. It costs so much, you feel so guilty.
I think it's good not to make demands on the reader too early. But as the poem goes on, I want the journey of the poem to lead into some interesting places.
Folk melodies are the embodiment of an artistic perfection of the highest order; in fact, they are models of the way in which a musical idea can be expressed with utmost perfection in terms of brevity of form and simplicity of means.
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