After the film it was raining, a light steady rain. Ruthless neon on the wet streets like busted candy.
Denis JohnsonRead
In the plays - that's where I go crazy. But my prose has a much lighter touch; it's not trying to thrill with language, just to be more truthful. I'm not concerned with the accuracy of anything. We don't get to the truth of anything with facts.
Interpretation
This quote reflects on the difference between drama and prose, emphasizing a pursuit of truth over mere factual accuracy.
Denis Johnson distinguishes between the emotional depth of plays and the straightforwardness of prose, suggesting that prose seeks truthfulness rather than just the thrill of language. He argues that factual accuracy does not necessarily lead to a deeper understanding of truth, implying that the essence of truth may lie in the simplicity and honesty of expression rather than in the complexities of factual detail.
In practice
In a discussion about the essence of writing styles, one might use this quote to illustrate the role of truth in prose.
After the film it was raining, a light steady rain. Ruthless neon on the wet streets like busted candy.
This wasn't the sea of the inexorable horizon and smashing waves, not the sea of distance and violence, but the sea of the etenally leveling patience and wetness of water. Whether it comes to you in a storm or in a cup, it owns you--we are more water than dust. It is our origin and our destination.
Through this feeling of helplessness suddenly burst a piercing nostalgia for the lost world of childhood. The way it came right up against the heart, that world, and against the face. No indoors or outdoors, only everything touching us, and the grown-ups lumbering past overhead like constellations.
If you write fiction, you're by yourself. There are certain advantages to that in that you don't have to explain anything to anybody. But when you get in with others who share the loneliness of the whole enterprise, you're not lonely anymore.
Before this moment I'd lived as a mind. Body, heart, soul, intellect, so we care ourselves into parts. But the whole of us, what can it be?
The traveling salesmen fed me pills that made the lining of my veins feel scraped out, my jaw ached... I knew every raindrop by its name, I sensed everything before it happened. Like I knew a certain oldsmobile would stop even before it slowed, and by the sweet voices of the family inside, I knew we'd have an accident in the rain. I didn't care. They said they'd take me all the way.
I have always given it as my decided opinion that no nation had a right to intermeddle in the internal concerns of another; that every one had a right to form and adopt whatever government they liked best to live under themselves.
Strange, isn't it, that no chemical will give a human being the iridescence that illusions have given them? Give me your hat.
Democratic communities have a natural taste for freedom: left to themselves they will seek it, cherish it, and view any deprivation of it with regret. But for equality their passion is ardent, insatiable, incessant, invincible: they call for equality in freedom; and if they cannot obtain that, they still call for equality in slavery.
Abstract truth has no value unless it incarnates in human beings who represent it, by proving their readiness to die for it.
Where once the student was taught that the unexamined life was not worth living, he is now taught that the profitably lived life is not worth examining.
The nation that will insist upon drawing a broad line of demarcation between the fighting man and the thinking man is liable to find its fighting done by fools and its thinking by cowards.
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