I'll tell you something, and this is true: I've never been able to write a film which I didn't respect. I just can't do it. I'm very happy about all the films I haven't done.
Harold PinterRead
I think plays have nothing to do with one's own personal life. Not in my experience, anyway. The stuff of drama has to do, not with your subject matter, anyway, but with how you treat it. Drama includes pain, loss, regret - that's what drama is about!
Interpretation
Drama is about universal themes rather than personal experiences.
Harold Pinter emphasizes that the essence of drama transcends personal experiences and instead revolves around how one handles significant themes like pain, loss, and regret. In his view, the true art of drama lies in the exploration and representation of these profound human emotions and experiences, rather than merely reflecting one's own life situation.
In practice
In a theatre discussion on the depth of character portrayal in modern plays.
I'll tell you something, and this is true: I've never been able to write a film which I didn't respect. I just can't do it. I'm very happy about all the films I haven't done.
All that happens is that the destruction of human beings - unless they're Americans - is called collateral damage.
I do tend to think that I've written a great deal out of my unconscious because half the time I don't know what a given character is going to say next.
I never think of myself as wise. I think of myself as possessing a critical intelligence which I intend to allow to operate.
It's so easy for propaganda to work, and dissent to be mocked.
There are places in my heart...where no living soul...has...or can ever...trespass.
The picture is not made by the photographer, the picture is more good or less good in function of the relationship that you have with the people you photograph.
What does one prefer? An art that struggles to change the social contract, but fails? Or one that seeks to please and amuse, and succeeds?
The appeal of the spectrally macabre is generally narrow because it demands from the reader a certain degree of imagination and a capacity for detachment from everyday life.
The dignity of the artist lies in his duty of keeping awake the sense of wonder in the world. In this long vigil he often has to vary his methods of stimulation; but in this long vigil he is also himself striving against a continual tendency to sleep.
I don't know what gives me more pleasure: watching my story unfold or going in and watching a room full of black people talking for me and writing words for black people.
I don't take drugs: I am drugs.
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