Your demons will cause your angels to sing. Use the pain as fuel.
August WilsonRead
My plays are ultimately about love, honor, duty, betrayal.
Interpretation
The quote reflects the central themes of human experiences explored in August Wilson's plays.
August Wilson's quote suggests that his plays delve into the complex emotions and moral dilemmas that define human relationships. By highlighting concepts such as love, honor, duty, and betrayal, he emphasizes the depth of character and the rich tapestry of life experiences that his works aim to portray.
In practice
In a discussion about the motivations behind character development in plays, one might use this quote to emphasize the significance of emotional stakes.
Your demons will cause your angels to sing. Use the pain as fuel.
I think the blues is the best literature that we as blacks have created since we've been here. I call it our 'sacred book.' What I've attempted to do is to mine that field, to mine those cultural ideas and attitudes and give them to my characters.
All you need in the world is love and laughter. That's all anybody needs. To have love in one hand and laughter in the other.
I do - very specifically, I remember Bessie Smith; I used to collect 78 records that I would buy from the St Vincent de Paul store at five cents apiece, and I did this indiscriminately. I would just take whatever was there. And I listened to Patti Page and Walter Huston, 'September Song.'
I know some things when I start. I know, let's say, that the play is going to be a 1970s or a 1930s play, and it's going to be about a piano, but that's it. I slowly discover who the characters are as I go along.
When I first started writing plays I couldn't write good dialogue because I didn't respect how black people talked. I thought that in order to make art out of their dialogue I had to change it, make it into something different. Once I learned to value and respect my characters, I could really hear them. I let them start talking.
The sound of the rain needs no translation. In music one doesn't make the end of the composition the point of the composition... Same way in dancing, you don't aim at one particular spot in the room... The whole point of dancing is the dance.
I can't understand these chaps who go round American universities explaining how they write poems: It's like going round explaining how you sleep with your wife.
I love to take actors to a place where they open a vein. Thatβs the job. The key is that I make it safe for them to open the vein.
I've loved the opportunity to learn about the fashion world and appreciate it as an art form, and I look forward to my continued education, but I never want it to take over my acting.
I love and admire everyone who is different. I love that. The 'jet set' is banal. 'Good taste' is banal. Eccentricity is chic. Good taste paralyzes. But punk or street fashion or a tattoo-covered body, that is interesting to me, and that I love. I didn't go to fashion school. I learned from watching couture shows on TV and reading magazines. That made me dream.
I love watching faces as they grow up. It's the difference between so many strong British actresses compared to what America does to women. I like a face that hasn't been tampered with.
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