Your demons will cause your angels to sing. Use the pain as fuel.
August WilsonRead
My plays are ultimately about love, honor, duty, betrayal.
Interpretation
What this quote means
The quote reflects the central themes of human experiences explored in August Wilson's plays.
August Wilson's quote suggests that his plays delve into the complex emotions and moral dilemmas that define human relationships. By highlighting concepts such as love, honor, duty, and betrayal, he emphasizes the depth of character and the rich tapestry of life experiences that his works aim to portray.
Themes
LoveHonorDutyBetrayalRelationshipsTheater
In practice
Example use cases
In a discussion about the motivations behind character development in plays, one might use this quote to emphasize the significance of emotional stakes.
More from August Wilson
All quotes →I think the blues is the best literature that we as blacks have created since we've been here. I call it our 'sacred book.' What I've attempted to do is to mine that field, to mine those cultural ideas and attitudes and give them to my characters.
August WilsonRead
All you need in the world is love and laughter. That's all anybody needs. To have love in one hand and laughter in the other.
August WilsonRead
I do - very specifically, I remember Bessie Smith; I used to collect 78 records that I would buy from the St Vincent de Paul store at five cents apiece, and I did this indiscriminately. I would just take whatever was there. And I listened to Patti Page and Walter Huston, 'September Song.'
August WilsonRead
I know some things when I start. I know, let's say, that the play is going to be a 1970s or a 1930s play, and it's going to be about a piano, but that's it. I slowly discover who the characters are as I go along.
August WilsonRead
When I first started writing plays I couldn't write good dialogue because I didn't respect how black people talked. I thought that in order to make art out of their dialogue I had to change it, make it into something different. Once I learned to value and respect my characters, I could really hear them. I let them start talking.
August WilsonRead
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I had still the ambition, formed in Sligo in my teens, of living in imitation of Thoreau on Innisfree, a little island in Lough Gill, and when walking through Fleet Street very homesick I heard a little tinkle of water and saw a fountain in a shop window which balanced a little ball upon its jet, and began to remember lake water. From the sudden remembrance came my poem Innisfree.
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Their task [creative artists], therefore, is to communicate directly from one inward world to another, in such a way that an actual shock of experience will have been rendered: not a mere statement for the information or persuasion of a brain, but an effective communication across the void of space and time from one center of consciousness to another.
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The very essence of the creative is its novelty, and hence we have no standard by which to judge it.
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Let’s be realistic about this, the guitar can be the single most blasphemous device on the face of the earth. That’s why I like it . . . The disgusting stink of a too-loud electric guitar: now that’s my idea of a good time.
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I put steam on the table by being an actor. That is how I live. The longer I live, the more expensive it becomes. So I do my work. And I can't be immensely picky. How many beautiful scripts come in one's lifetime? I have had more than anybody, practically.
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The body is your instrument in dance, but your art is outside that creature, the body.
Martha GrahamRead