When people will not weed their own minds, they are apt to be overrun by nettles.
Plot, rules, nor even poetry, are not half so great beauties in tragedy or comedy as a just imitation of nature, of character, of the passions and their operations in diversified situations.
Interpretation
What this quote means
The essence of tragedy and comedy lies in accurately reflecting nature and human emotions rather than merely adhering to strict artistic rules.
In this quote, Horace Walpole emphasizes that the true beauty of both tragedy and comedy comes from their ability to authentically imitate the complexities of nature and human character. He argues that the depiction of emotions and the various circumstances that elicit them are more significant than the adherence to literary structure or plot, underscoring the importance of realism in art.
Themes
In practice
Example use cases
During a lecture on the importance of realism in drama, one might say, 'As Horace Walpole puts it, true beauty in art comes from imitating the depths of human nature.'
More from Horace Walpole
All quotes →Life is a comedy for those who think and a tragedy for those who feel.
We often repent of our first thoughts, and scarce ever of our second.
Who has begun has half done. Have the courage to be wise. Begin!
By deafness one gains in one respect more than one loses; one misses more nonsense than sense.
Men are often capable of greater things than they perform - They are sent into the world with bills of credit, and seldom draw to their full extent.
Similar quotes
It wasn't a deliberate decision to become a poet. It was something I found myself doing - and loving. Language became an addiction.
As long as that spark of passion is missing there is no human significance in the performance.
Jazz stands for freedom. It's supposed to be the voice of freedom: Get out there and improvise, and take chances, and don't be a perfectionist - leave that to the classical musicians.
For me, the intellect is always the guide but not the goal of the performance. Three things have to be coordinated, and not one must stick out. Not too much intellect because it can become scholastic. Not too much heart because it can become schmaltz. Not too much technique because you become a mechanic.
I paint mostly from real life. It has to start with that. Real people, real street scenes, behind the curtain scenes, live models, paintings, photographs, staged setups, architecture, grids, graphic design. Whatever it takes to make it work.
I'd like to play for you one of my compositions, my only composition.