I have, in some ways, saved characters that have been marginalized by society by playing them - and having them still have dignity and still survive, still get through it.
Jodie FosterRead
I prefer to commit 100 per cent to a movie and make fewer films, because it takes over your life.
Interpretation
Jodie Foster emphasizes the importance of dedication to one project over quantity in film-making.
In this quote, Jodie Foster reflects on the profound commitment required to create a film, suggesting that she would rather pour her full energy and passion into fewer films than to spread herself too thin across many projects. This approach leads to a more meaningful and impactful creative process, highlighting the sacrifices and life involvement that come with the art of filmmaking.
In practice
In a film seminar discussing the importance of dedication to creative processes.
I have, in some ways, saved characters that have been marginalized by society by playing them - and having them still have dignity and still survive, still get through it.
I'm not interested in being perfect when im older. Im interested in having a narrative. It's the narrative that's really the most beautiful thing about women.
I'm an atheist. But I absolutely love religions and the rituals. Even though I don't believe in God. We celebrate pretty much every religion in our family with the kids. They love it, and when they say, 'Are we Jewish?' or 'Are we Catholic?' I say, 'Well, I'm not, but you can choose when you're 18. But isn't this fun that we do seders and the Advent calendar?'
If I make two movies my entire life, and they're two movies that - whether they make a lot of money or two people go to see them - they speak of me, then I consider them incredibly successful. I don't need to be Steven Spielberg.
With 'Taxi Driver,' I had this eureka moment. I realized that acting could be much more than what I had been doing. I had to build a character that wasn't me.
The best reason to make a film is that you feel passionately about it.
No art or learning is to be pursued halfheartedly...and any art worth learning will certainly reward more or less generously the effort made to study it.
To me, the best zombie movies aren’t the splatter fests of gore and violence with goofy characters and tongue in cheek antics. Good zombie movies show us how messed up we are, they make us question our station in society… and our society’s station in the world. They show us gore and violence and all that cool stuff too… but there’s always an undercurrent of social commentary and thoughtfulness.
My style says, 'Look at me, don't look at me.'
I always say it takes three weeks to know a character and three months to own it. And I think that's probably true of every theater artist. If you really want to see a performance of the show, wait three months.
As a musician I'm kind of nomadic, Waldo-like. I show up in different places, and I'm witness to unbelievable things.
There is a word, in a verb, something sacred which forbids us from using it recklessly. To handle a language cunningly is to practice a kind of evocative sorcery.
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