I'm not interested in being perfect when im older. Im interested in having a narrative. It's the narrative that's really the most beautiful thing about women.
Jodie FosterRead
I have, in some ways, saved characters that have been marginalized by society by playing them - and having them still have dignity and still survive, still get through it.
Interpretation
Jodie Foster discusses her role in portraying marginalized characters with dignity.
In this quote, Jodie Foster highlights her intention to bring visibility and respect to characters who have often been overlooked or undervalued in society. By embodying these roles, she believes she not only entertains but also uplifts these characters, allowing them to portray resilience and dignity in the face of adversity.
In practice
During a speech about representation in film at a conference.
I'm not interested in being perfect when im older. Im interested in having a narrative. It's the narrative that's really the most beautiful thing about women.
I'm an atheist. But I absolutely love religions and the rituals. Even though I don't believe in God. We celebrate pretty much every religion in our family with the kids. They love it, and when they say, 'Are we Jewish?' or 'Are we Catholic?' I say, 'Well, I'm not, but you can choose when you're 18. But isn't this fun that we do seders and the Advent calendar?'
If I make two movies my entire life, and they're two movies that - whether they make a lot of money or two people go to see them - they speak of me, then I consider them incredibly successful. I don't need to be Steven Spielberg.
With 'Taxi Driver,' I had this eureka moment. I realized that acting could be much more than what I had been doing. I had to build a character that wasn't me.
The best reason to make a film is that you feel passionately about it.
I prefer to commit 100 per cent to a movie and make fewer films, because it takes over your life.
Fashions come and go; bad taste is timeless.
There is sweet music here that softer falls Than petals from blown roses on the grass, Or night-dews on still waters between walls Of shadowy granite, in a gleaming pass; Music that gentlier on the spirit lies, Than tir'd eyelids upon tir'd eyes; Music that brings sweet sleep down from the blissful skies. Here are cool mosses deep, And thro' the moss the ivies creep, And in the stream the long-leaved flowers weep, And from the craggy ledge the poppy hangs in sleep.
A movie is made for an audience and a film is made for both the audience and the film-makers. I think that The Game is a movie and I think Fight Club's a film. I think that Fight Club is more than the sum of its parts, whereas Panic Room is the sum of its parts. I didn't look at Panic Room and think, "Wow, this is gonna set the world on fire". These are footnote movies, guilty pleasure movies. Thrillers. Woman-trapped-in-a-house movies. They're not particularly important.
It's just because I love the past that I want this house to look back on its glamourous moment of youth and beauty, and I want its stairs to creak as if to the footsteps of women with hoop skirts and men in boots and spurs. But they've made it into a blondined, rouged-up old woman of sixty.
Seek for the boldest color possible, content is irrelevant.
The essential thing is to work in a state of mind that approaches prayer.
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