I have, in some ways, saved characters that have been marginalized by society by playing them - and having them still have dignity and still survive, still get through it.
Jodie FosterRead
The best reason to make a film is that you feel passionately about it.
Interpretation
Creating a film should stem from genuine passion and belief in the project.
Jodie Foster's quote emphasizes the importance of passion in filmmaking. It suggests that the driving force behind creating a film should not be mere commercial interests or external pressures, but rather a deep-seated enthusiasm and love for the story being told. When filmmakers are passionate, it often translates into a more authentic and engaging product that resonates with audiences.
In practice
Using this quote during a speech at a film festival to inspire filmmakers.
I have, in some ways, saved characters that have been marginalized by society by playing them - and having them still have dignity and still survive, still get through it.
I'm not interested in being perfect when im older. Im interested in having a narrative. It's the narrative that's really the most beautiful thing about women.
I'm an atheist. But I absolutely love religions and the rituals. Even though I don't believe in God. We celebrate pretty much every religion in our family with the kids. They love it, and when they say, 'Are we Jewish?' or 'Are we Catholic?' I say, 'Well, I'm not, but you can choose when you're 18. But isn't this fun that we do seders and the Advent calendar?'
If I make two movies my entire life, and they're two movies that - whether they make a lot of money or two people go to see them - they speak of me, then I consider them incredibly successful. I don't need to be Steven Spielberg.
With 'Taxi Driver,' I had this eureka moment. I realized that acting could be much more than what I had been doing. I had to build a character that wasn't me.
I prefer to commit 100 per cent to a movie and make fewer films, because it takes over your life.
There is no need to create. Genius comes only to those who know how to use their eyes and their intelligence.
I wrote poetry from the time I could write. That was the only way I could begin to express who I was but the poems didn't make sense to my teachers. They didn't rhyme. They were about the wind sounds, the planets' motions, never about who I was or how I felt. I didn't think I felt anything. I was this mind more than a body or a heart. My mind photographing the stars, hearing the wind.
More and more people are seeing the films on computers - lousy sound, lousy picture - and they think they've seen the film, but they really haven't.
I won't call my work entertainment. It's exploring. It's asking questions of people, constantly. 'How much do you feel? How much do you know? Are you aware of this? Can you cope with this?' A good movie will ask you questions you don't already know the answers to. Why would I want to make a film about something I already understand?
The film is made in the editing room.
It's a gamble you take, the risk of alienating an audience. But there's a theory - sometimes it's better to confuse them for five minutes than let them get ahead of you for 10 seconds.
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