Writing a poem is like having an affair, a one-night stand; a short story is a romance, a relationship; a novel is a marriage-one has to be cunning, devise compromises, and make sacrifices.
Interpretation
Writing varies in engagement and complexity, much like different types of relationships.
In this quote, Amos Oz draws an analogy between the different forms of writing and the nature of relationships. He suggests that the writing of poetry, short stories, and novels reflects varying levels of commitment and complexity, paralleling how romantic relationships range from fleeting encounters to deep, long-lasting bonds that require dedication and compromise.
In practice
A writer might use this quote in a workshop to discuss the commitment needed for different writing forms.
When I was little, my ambition was to grow up to be a book. Not a writer. People can be killed like ants. Writers are not hard to kill either. But not books: however systematically you try to destroy them, there is always a chance that a copy will survive and continue to enjoy a shelf-life in some corner on an out-of-the-way library somehwere in Reykjavik, Valladolid or Vancouver.
Two children of same cruel parent look at one another and see in each other the image of the cruel parent or the image of their past oppressor. This is very much the case between Jew and Arab: It's a conflict between two victims.
If we don't stop somewhere, if we don't accept an unhappy compromise, unhappy for both sides, if we don't learn how to unhappily coexist and contain our burned sense of injustice - if we don't learn how to do that, we end up in a doomed state.
Fundamentalist s live life with an exclamation point. I prefer to live my life with a question mark.
I have seen for the first time in 100 years of conflict, the two peoples - the Israeli people and the Palestinian people - are ahead of their leaderships.
She had not wanted him to but had let him have his way because ever since she was a child she had generally yielded before anyone with strong willpower, especially if it was a man, not because she was naturally submissive, but because strong male willpower gave her a feeling of safety and trust, together with acceptance and a desire to give in.
That for me was the big turning point in my artistic life, when my wife and I had our kids. The world got infused with morality again. Every person in the world should theoretically be loved as much as I love my daughters.
I have never believed that the critic is the rival of the poet, but I do believe that criticism is a genre of literature or it does not exist.
There is only one place to write and that is alone at a typewriter. The writer who has to go into the streets is a writer who does not know the streets. . . when you leave your typewriter you leave your machine gun and the rats come pouring through.
A street is a story in asphalt - so it's a paradox that the streets are the one place where the movies play fast and loose with continuity, something to which L.A. streets lend themselves as naturally as does the city's psyche.
I always say I write because I have questions, not because I have answers. It's true that you begin the conversation - that's the role of the artist. But it's not my job to tell us what to do next. I wish I had those tools.
I gathered poets around me and we all wrote beautiful erotica. As we were condemned to focus only on sensuality, we had violent explosions of poetry. Writing erotica became a road to sainthood rather than to debauchery.
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