Two children of same cruel parent look at one another and see in each other the image of the cruel parent or the image of their past oppressor. This is very much the case between Jew and Arab: It's a conflict between two victims.
Amos OzRead
When I was little, my ambition was to grow up to be a book. Not a writer. People can be killed like ants. Writers are not hard to kill either. But not books: however systematically you try to destroy them, there is always a chance that a copy will survive and continue to enjoy a shelf-life in some corner on an out-of-the-way library somehwere in Reykjavik, Valladolid or Vancouver.
Interpretation
The quote expresses a desire for permanence and the enduring power of books over human life.
Amos Oz reflects on his childhood ambition to become a book rather than a writer, highlighting the ephemeral nature of human life in contrast to the lasting impact of literature. He suggests that while writers and people can vanish easily, books have the unique ability to survive destruction and provide knowledge and enjoyment across time and place, ultimately leaving a trace in the world.
In practice
During a book fair, one could quote this to highlight the significance of preserving literature.
Two children of same cruel parent look at one another and see in each other the image of the cruel parent or the image of their past oppressor. This is very much the case between Jew and Arab: It's a conflict between two victims.
If we don't stop somewhere, if we don't accept an unhappy compromise, unhappy for both sides, if we don't learn how to unhappily coexist and contain our burned sense of injustice - if we don't learn how to do that, we end up in a doomed state.
Fundamentalist s live life with an exclamation point. I prefer to live my life with a question mark.
Writing a poem is like having an affair, a one-night stand; a short story is a romance, a relationship; a novel is a marriage-one has to be cunning, devise compromises, and make sacrifices.
I have seen for the first time in 100 years of conflict, the two peoples - the Israeli people and the Palestinian people - are ahead of their leaderships.
She had not wanted him to but had let him have his way because ever since she was a child she had generally yielded before anyone with strong willpower, especially if it was a man, not because she was naturally submissive, but because strong male willpower gave her a feeling of safety and trust, together with acceptance and a desire to give in.
There's something really cool about taking oily coloured paste and pushing it around with these hairy sticks and making something that looks like you. That's the magic of painting.
Better that you should take the chance of trying something that is close to your heart, you think is what you want to write, and if they do not publish it, put it in your drawer. But maybe another day will come and you will find a place to put that.
Prose is not to be read aloud but to oneself alone at night, and it is not quick as poetry but rather a gathering web of insinuations ... Prose should be a long intimacy between strangers with no direct appeal to what both may have known. It should slowly appeal to feelings unexpressed, it should in the end draw tears out of the stone.
When I moved to New York City in 1965, I wanted to be in theater. I was following my Ethel Barrymore dream. But I was too young to be Ethel.
It's a bit naff, but there is something exciting about pulling a bit of pottery out of the ground that's 2,000 years old.
Sometimes the fragment of a conversation, the color of the sky, the image in a dream, has everything to do with where the song begins.
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