Like the collector, the photographer is animated by a passion that, even when it appears to be for the present, is linked to a sense of the past.
Susan SontagRead
...to be a poet, requires a mythology of the self. The self described is the poet self, to which the daily self (and others) are often ruthlessly sacrificed. The poet self is the real self, the other one is the carrier; and when the poet self dies, the person dies.
Interpretation
A poet's identity is deeply tied to their inner truths, often at the cost of their external self.
This quote by Susan Sontag highlights the distinction between the 'poet self' and the 'daily self'. The poet self is seen as the authentic identity that draws from personal mythology and deep truths, while the daily self may conform to societal expectations, often leading to a sacrifice of genuine expression. The loss of this inner poet self signifies a profound personal loss.
In practice
In a discussion about the importance of self-expression in art, one might reference this quote to emphasize the necessity of authenticity.
Like the collector, the photographer is animated by a passion that, even when it appears to be for the present, is linked to a sense of the past.
Science fiction films are not about science. They are about disaster, which is one of the oldest subjects of art.
Gide and I have attained such perfect intellectual communion that I experience the appropriate labor pains for every thought he gives birth to!
Volume depends precisely on the writer's having been able to sit in a room every day, year after year, alone.
In NY sensuality completely turns into sexuality - no objects for the senses to respond to, no beautiful river, houses, people. Awful smells of the street, and dirt... Nothing except eating, if that, and the frenzy of the bed.
It hurts to love. It's like giving yourself to be flayed and knowing that at any moment the other person may just walk off with your skin.
Many really good films allow us to empathize with other lives.
Art is the only serious thing in the world. And the artist is the only person who is never serious.
You will never, I think, fully conquer the play. Every night, you see this Everest before you. It's that two, three hours and the audience, and you'd better tell the truth.
The language of art is celestial in origin and can only be understood by the chosen.
The art of healing is like an unroofed temple, uncovered at the top and cracked at the foundation.
To be willing to sort of die in order to move the reader, somehow. Even now I'm scared about how sappy this'll look in print, saying this.
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