I don't feel I've arrived home until I get on the beach. All my life, the theater of the sea has been a very strong thing.
Derek WalcottRead
I don't believe that poetry is in danger because nobody wants to read it or appreciate it. There is a tremendous audience for it on any given day or night. You just have to know where to look.
Interpretation
Poetry still holds value and has an audience; it's just about finding them.
Derek Walcott's quote emphasizes that despite the perception that poetry is losing its appeal, it actually continues to thrive with a significant audience waiting to engage with it. The onus is on the poet and the readers to seek out spaces where poetry is celebrated, indicating that the art form is not in danger, but rather needs to be rediscovered by those who may overlook it.
In practice
In a speech about the importance of the arts, quoting Walcott can highlight the ongoing relevance of poetry.
I don't feel I've arrived home until I get on the beach. All my life, the theater of the sea has been a very strong thing.
Creating a poem is a continual process of re-creating your ignorance, in the sense of not knowing what's coming next.
A long time ago, I thought, as a writer in the Caribbean, 'I don't ever want to have to write 'It was great in Paris.'' Because I don't think, proportionately speaking, that one's experience in a city as opposed to, say, a village in St. Lucia, is superior to the other.
My mother was a schoolteacher and very, very encouraging. She understood what it meant when I said I wanted to be a writer; both me and my brother wrote.
When I went to college - when I read Shakespeare or Dickens or Scott - I just felt that, as a citizen of England, a British citizen, this was as much my heritage as any schoolboy's. That is one of the things the Empire taught, that apart from citizenship, the synonymous inheritance of the citizenship was the literature.
The truest writers are those who see language not as a linguistic process but as a living element.
It took me two years to walk around a chair with ease; it took me another two years to learn how to laugh onstage - and I had to learn everything.
In the early stages of creation of both art and science, everything in the mind is a story.
The important question has nothing to do with whether the talk in your story is sacred or profane; the only question is how it rings on the page and in your ear. If you expect it to ring true, then you must talk yourself. Even more important, you must shut up and listen to others talk.
One must act in painting as in life, directly.
I have a deep-seated distrust and even contempt for people who are driven by ambition to conquer the world … those who cannot control themselves and produce vast amounts of crap that no one cares about. I find it unattractive. I like the Zen artists: they’d do some work, and then they’d stop for a while.
When I write, I make my memories tangible, and in this way I can get rid of them.
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