Do you not see how necessary a world of pains and troubles is to school an intelligence and make it a soul?
John KeatsRead
If poetry does not come as naturally as leaves to a tree,_x000D_ _x000D_ then it better not come at all.
Interpretation
Poetry should be a natural expression rather than a forced effort.
John Keats suggests that poetry, like the leaves of a tree, should arise naturally and effortlessly from the soul. If it does not flow with that kind of authenticity, then it is better to leave it untapped, as forced poetry lacks the true essence of artistry and beauty.
In practice
During a poetry reading, this quote can emphasize the importance of authentic expression to budding poets.
Do you not see how necessary a world of pains and troubles is to school an intelligence and make it a soul?
Are there not thousands in the world who love their fellows even to the death, who feel the giant agony of the world, and more, like slaves to poor humanity, labor for mortal good?
Ask yourself my love whether you are not very cruel to have so entrammelled me, so destroyed my freedom. Will you confess this in the Letter you must write immediately, and do all you can to console me in it β make it rich as a draught of poppies to intoxicate me βwrite the softest words and kiss them that I may at least touch my lips where yours have been. For myself I know not how to express my devotion to so fair a form: I want a brighter word than bright, a fairer word than fair.
Faded the flower and all its budded charms,Faded the sight of beauty from my eyes,Faded the shape of beauty from my arms,Faded the voice, warmth, whiteness, paradise!Vanishd unseasonably
I think we may class the lawyer in the natural history of monsters.
...I leaped headlong into the Sea, and thereby have become more acquainted with the Soundings, the quicksands, and the rocks, than if I had stayed upon the green shore, and piped a silly pipe, and took tea and comfortable advice.
Pictures, regardless of how they are created and recreated, are intended to be looked at. This brings to the forefront not the technology of imaging, which of course is important, but rather what we might call the eyenology (seeing).
When I was young, I struggled with authorship: with everything the word meant and failed to mean. Irish poetry was heavy with custom. Sometimes at night, when I tried to write, a ghost hand seemed to hold mine. Where could my life, my language fit in?
Stories are the creative conversion of life itself into a more powerful, clearer, more meaningful experience. They are the currency of human contact.
When I'm in Senegal, I can't just sit in isolation making music. People need my help. And the Senegalese people helped create my music. It comes from the country itself.
Most bands out there are basically pretty boring. I try to affect people inside their bodies.
At heart I've always been a music fan. That part of me has never changed since I was a little kid, sitting in a room watching a record go round, looking at the colour of the labels.
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