Poetry is a political act because it involves telling the truth.
Interpretation
This quote highlights the connection between poetry and political expression, emphasizing truth-telling as an essential part of both.
June Jordan's assertion that poetry is a political act underscores the powerful role of poetry in addressing social issues and conveying truths that may be uncomfortable or marginalized. By engaging with reality and sharing honest perspectives through verse, poets can influence thought and inspire action in a political context, making their art a vehicle for change.
In practice
In a spoken word event discussing societal issues.
I am a feminist, and what that means to me is much the same as the meaning of the fact that I am Black: it means that I must undertake to love myself and to respect myself as though my very life depends upon self-love and self-respect.
Anytime you see white men suppose to fight each other an you not white, well you know you got trouble, because they blah-blah loud about Democrat or Republican an they huffing an puff about democracy someplace else but relentless, see, the deal come down evil on somebody don have no shirt an tie, somebody don live in no whiteman house no whiteman country.
In America, the traditional routes to black identity have hardly been normal. Suicide (disappearance by imitation, or willed extinction), violence (hysterical religiosity, crime, armed revolt), and exemplary moral courage; none of these is normal.
Good poetry and successful revolution change our lives. And you cannot compose a good poem or wage a revolution without changing consciousness unless you attack the language that you share with your enemies and invent a language that you share with your allies.
As a poet and writer, I deeply love and I deeply hate words. I love the infinite evidence and change and requirements and possibilities of language; every human use of words that is joyful, or honest or new, because experience is new... But as a Black poet and writer, I hate words that cancel my name and my history and the freedom of my future: I hate the words that condemn and refuse the language of my people in America.
I am the history of the rejection of who I am
Once I started working with generative music in the 1970s, I was flirting with ideas of making a kind of endless music - not like a record that you'd put on, which would play for a while and finish.
That’s one of the nice things about writing, or any art; if the thing’s real, it just lives. All the attendant hoopla about it, the success over it or the critical rejection—none of that really matters. In the end, the thing will survive or not on its own merits. Not that immortality via art is any big deal. Truffaut died, and we all felt awful about it, and there were the appropriate eulogies, and his wonderful films live on. But it’s not much help to Truffaut.
Anything you are shows up in your music - jazz is whatever you are, playing yourself, being yourself, letting your thoughts come through.
The dream of reason produces monsters. Imagination deserted by reason creates impossible, useless thoughts. United with reason, imagination is the mother of all art and the source of all its beauty.
No translation can possibly be perfect. Every production and every performance is a different path up the mountain, and nobody ever makes it all the way to the summit.
January 8 has been a lucky day for me. I have started all my books on that day, and all of them have been well received by the readers. I write eight to ten hours a day until I have a first draft, then I can relax a little. I am very disciplined. I write in silence and solitude. I light a candle to call inspiration and the muses, and I surround myself with pictures of the people I love, dead and alive.
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