I am a member of the Muskogee people. I'm a poet, a musician, a dreamer of sorts, a questioner. Like everyone else, I'm looking for answers of some sort or the other.
Joy HarjoRead
You just go where poetry is, whether it's in your heart or your mind or in books or in places where there's live poetry or recordings.
Interpretation
Explore and immerse yourself in poetry wherever it may be found.
This quote emphasizes the idea that poetry exists all around us, not just in written form, but also in our thoughts, emotions, and various experiences. Joy Harjo encourages individuals to seek out and embrace poetry in its many forms, whether it be through literature, live performances, or recordings, as it can enrich our lives and allow for deeper connections with ourselves and others.
In practice
In a speech about the importance of the arts, one might use this quote to highlight the multifaceted nature of poetry.
I am a member of the Muskogee people. I'm a poet, a musician, a dreamer of sorts, a questioner. Like everyone else, I'm looking for answers of some sort or the other.
It's important as a writer to do my art well and do it in a way that is powerful and beautiful and meaningful, so that my work regenerates the people, certainly Indian people, and the earth and the sun. And in that way we all continue forever.
A story matrix connects all of us._x000D_ There are rules, processes, and circles of responsibility in this world. And the story begins exactly where it is supposed to begin. We cannot skip any part.
Bottom line, I have to follow what my soul says, or my spirit. And my spirit said that poetry and the arts should be without borders, should be without political borders.
I don't like this romanticization of Indian people in which Indian people are looked at as spiritual saviors, as people who have always taken care of the land. We're human beings. But I think different cultures have developed different aspects of humanness.
Humans are vulnerable and rely on the kindnesses of the earth and the sun; we exist together in a sacred field of meaning.
Stories always have held conflicts and contrasts, highs and lows, life and death situations. And there can be much suffering in stories, but now we say the artist doesnβt have to suffer to show suffering. You just have to understand the human condition, understand the suffering.
I was going to go to a four-year college and be an anthropologist or to an art school and be an illustrator when a friend convinced me to learn photography at the University of Southern California. Little did I know it was a school that taught you how to make movies! It had never occurred to me that I'd ever have any interest in filmmaking.
I don't read music. I don't write it. So I wander around on the guitar until something starts to present itself.
Musicals are, by nature, theatrical, meaning poetic, meaning having to move the audience's imagination and create a suspension of disbelief, by which I mean there's no fourth wall.
I put it [picture "A still life of a pear" by Edouard Manet] there [on the wall, next to the picture "Jupiter and Thetis" by Jean-Auguste-Dominique Ingres], for a pear like that would overthrow any god.
Ten years before its time, a fashion is indecent; ten years after, it is hideous; but a century after, it is romantic.
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