Transcendental meditation is like a car, a vehicle that allows you to go within. It's a mental technique.
David LynchRead
Stories always have held conflicts and contrasts, highs and lows, life and death situations. And there can be much suffering in stories, but now we say the artist doesn’t have to suffer to show suffering. You just have to understand the human condition, understand the suffering.
Interpretation
Art can convey deep emotions and the human experience without the artist having to personally endure those struggles.
David Lynch emphasizes that storytelling and art often reflect the complexities of the human experience, including suffering and conflict. He suggests that an artist's understanding of these themes is enough to convey them effectively in their work, rather than requiring them to experience such suffering themselves.
In practice
This quote can be used during an art workshop to inspire participants about the emotional depth of their work.
Transcendental meditation is like a car, a vehicle that allows you to go within. It's a mental technique.
You don't need a special place to meditate. You can transcend anywhere in the world. The unified field is here, and there, and everywhere.
There's a safety in thinking in a diner. You can have your coffee or your milkshake, and you can go off into strange dark areas, and always come back to the safety of the diner.
Music as background to me becomes like a mosquito, an insect. In the studio we have big speakers, and to me that's the way music should be listened to. When I listen to music, I want to just listen to music.
Television provides the opportunity for an ongoing story - the opportunity to meld the cast and the characters and a world, and to spend more time there.
In today’s world of fear and uncertainty, every child should have one class period a day to dive within himself and experience the field of silence - bliss - the enormous reservoir of energy and intelligence that is deep within all of us. This is the way to save the coming generation.
All the definitions people want to put on you in terms of what kind of writer you are come with hidden meanings. If you're writing science fiction, you're writing rocket ships. If you write dystopian fiction, it's inequity where The Man must be fought.
When I first began choreographing, I never thought of it as choreography but as expressing feelings. Though every piece is different, they are all trying to get at certain things that are difficult to put into words. In the work, everything belongs to everything else - the music, the set, the movement and whatever is said.
I've always felt like I was an actor for hire. And almost apologetic for being a woman of color, trying to stifle that voice. But I don't feel that way in Shondaland. I feel like I am accepted into a world where I'm a part of the narrative - I'm a part of it.
Poetry is not truth, it is the resurrection of presences.
Art is the creation of forms symbolic of human feeling.
There's just certain styles of playing that you do play in your own way. Maybe it's in the way your fingers bend, for all I know. And so whenever you pick up the guitar it's not so much the sound of the instrument itself, it's like the ting that you add onto it-the attitude.
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