The really important kind of freedom involves...being able truly to care about other people...
David FosterRead
I am uncompromising to the point of huge dissension in the studio. And it's served me very well. My theory and my philosophy is, 'Compromise breeds mediocrity.' Obviously, you have to pick your battles, and the more success an artist has, the more they want to be involved in their own career, which is not necessarily a good thing.
Interpretation
Staying true to one's vision is essential for artistic integrity, but it can lead to conflict.
David Foster suggests that a strong commitment to one's artistic beliefs and visions, even when it leads to disagreements, is crucial for maintaining quality and originality in art. He warns, however, that while artists should remain dedicated to their craft, they must also be cautious as increased success can complicate their involvement in creative decisions.
In practice
In an artist's talk, to highlight the importance of staying true to one's vision.
The really important kind of freedom involves...being able truly to care about other people...
Don't be too precious about your craft... there's only 26 letters and 12 notes, and Shakespeare and Beethoven said it all better than any of us ever will
CPR to those elements of what’s human and magical that still live and glow despite the times’ darkness.
We all suffer alone in the real world; true empathy's impossible.
Gentlemen, welcome to the world of reality – there is no audience. No one to applaud, to admire. No one to see you. Do you understand? Here is the truth – actual heroism receives no ovation, entertains no one. No one queues up to see it. No one is interested.
This is what the real, no bullshit value of your liberal arts education is supposed to be about: how to keep from going through your comfortable, prosperous, respectable adult life dead, unconscious, a slave to your head and to your natural default setting of being uniquely, completely, imperially alone day in and day out.
Music is everybody's possession.
Not all poetry wants to be storytelling. And not all storytelling wants to be poetry. But great storytellers and great poets share something in common: They had something to say, and did.
Make the verses flow together. If a following verse has nothing to do with the previous, you may lose our listener/reader. You want a smooth flow to hear or read, and it's easier to memorize.
I like to think of myself at home in the armchair, writing, smoking and occasionally wandering down the shop.
There are many other little refinements too, Mr. Bohlen. You'll see them all when you study the plans carefully. For example, there's a trick that nearly every writer uses, of inserting at least one long, obscure word into each story. This makes the reader think that the man is very wise and clever. So I have the machine do the same thing. There'll be a whole stack of long words stored away just for this purpose." Where?" In the 'word-memory' section," he said, epexegetically.
Too often, if you look back through the history of representation and you take the work of African-American artists, the work is on such a modest scale that it becomes sort of inconsequential.
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