Make the verses flow together. If a following verse has nothing to do with the previous, you may lose our listener/reader. You want a smooth flow to hear or read, and it's easier to memorize.
Interpretation
The quote emphasizes the importance of coherence in writing, particularly in poetry, to maintain the audience's engagement.
Margaret Atwood's quote underscores the significance of creating a seamless connection between verses in poetry or prose. When verses are disjointed and fail to relate to one another, readers may become distracted or lose interest, leading to a diminished impact of the work. A smooth flow not only captures the audience's attention but also aids in the memorization of the content, making it resonant and memorable.
In practice
Using this quote during a poetry workshop to highlight the importance of structure.
If I am good enough and quiet enough, perhaps after all they will let me go; but it’s not easy being quiet and good, it’s like hanging on to the edge of a bridge when you’ve already fallen over; you don’t seem to be moving, just dangling there, and yet it is taking all your strength.
I would like to believe this is a story I’m telling. I need to believe it. I must believe it. Those who can believe that such stories are only stories have a better chance. If it’s a story I’m telling, then I have control over the ending. Then there will be an ending, to the story, and real life will come after it. I can pick up where I left off.
What else can I do? Once you've gone this far you aren't fit for anything else. Something happens to your mind. You're overqualified, overspecialized, and everybody knows it. Nobody in any other game would be crazy enough to hire me. I wouldn't even make a good ditch-digger, I'd start tearing apart the sewer-system, trying to pick-axe and unearth all those chthonic symbols - pipes, valves, cloacal conduits... No, no. I'll have to be a slave in the paper-mines for all time.
We love each other, that’s true whatever it means, but we aren’t good at it; for some it’s a talent, for others only an addiction.
I've learned quite a lot, over the years, by avoiding what I was supposed to be learning.
Knowing too much about other people puts you in their power, they have a claim on you, you are forced to understand their reasons for doing things and then you are weakened.
Folk melodies are the embodiment of an artistic perfection of the highest order; in fact, they are models of the way in which a musical idea can be expressed with utmost perfection in terms of brevity of form and simplicity of means.
I believe that architecture, as anything else in life, is evolutionary. Ideas evolve; they don't come from outer space and crash into the drawing board.
Because we're actors we can pretend and fake it, but I'd rather the intimate investment was authentic.
Life isn't a support system for art. It's the other way around.
My voice is unadorned. I don't try for perfection. I try to be honest and truthful and soulful with the voice I have. If I make mistakes in notes, or there are cracks in notes, I don't fix them. That's the way it is.
I think it's very important for writers and artists generally to be witnesses to the world, and to be transparent. To let other people speak... to travel... to experience the world. And memorialize it.
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