Behind every successful man is a woman, behind her is his wife.
Groucho MarxRead
And stop pointing that beard at me, it might go off!
Interpretation
This quote humorously suggests that a beard could be dangerous, reflecting Groucho Marx's style of witty wordplay.
Groucho Marx's quote plays on the absurdity of taking a beard seriously, using hyperbole to create humor. In the context of his comedic persona, the line serves as a playful commentary on misunderstandings and the triviality of appearance, encapsulating his knack for making light of situations that seem overly serious or confrontational.
In practice
Using this quote in a stand-up comedy routine to illustrate the ridiculousness of certain appearances.
Behind every successful man is a woman, behind her is his wife.
John you say you met in an elevator. Was the elevator going up at the time, or down? This is very important, for going down in an elevator one always has that sinking feeling and for all I know you may have this confused with love. If you were going up, it is clearly a case of love at first sight.
Firefly: Where is your husband? Mrs. Teasdale: Why, he's dead. Firefly: I'll bet he's just using that as an excuse. Mrs. Teasdale: I was with him to the very end. Firefly: Hmmph. No wonder he passed away. Mrs. Teasdale: I held him in my arms and kissed him. Firefly: Oh I see. Then, it was murder.
Chico: "Here's the book, it's a dollar" Groucho: "Here's a ten, and shoot the change." Chico: "I don't have change I'd have to give you nine more books.
Gentlemen, Chicolini here may talk like an idiot, and look like an idiot, but don't let that fool you: he really is an idiot. I implore you, send him back to his father and brothers, who are waiting for him with open arms in the penitentiary. I suggest that we give him ten years in Leavenworth, or eleven years in Twelveworth.
Die, my dear? Why that's the last thing I'll do!
Playing golf is like chasing a quinine pill around a cow pasture.
Roses are red, violets are blue, I'm schizophrenic, and so am I.
It seems to me that very sad things always contain an element of the comical
Instead of working for the survival of the fittest, we should be working for the survival of the wittiest - then we can all die laughing.
I've always been drawn to discomfort and that limbo of unease you get between comedy and tragedy. Making people laugh one moment and the next making them feel really uncomfortable.
Somewhere around the place I've got an unfinished short story about Schrodinger's Dog; it was mostly moaning about all the attention the cat was getting.
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