Touch the earth, love the earth, honour the earth, her plains, her valleys, her hills, and her seas; rest your spirit in her solitary places.
Henry BestonRead
Poor body, time and the long years were the first tailors to teach you the merciless use of clothes. Though some scold today because you are too much seen, to my mind, you are not seen fully enough or often enough when you are beautiful.
Interpretation
The quote reflects on the relationship between beauty and the perception of clothing over time.
Henry Beston's quote articulates the idea that the passage of time and the constraints of our physical bodies shape how we adorn ourselves with clothing. While some may criticize for being overly visible or noticed, Beston suggests that true beauty is often underappreciated, and deserves to be seen and celebrated more frequently.
In practice
In a fashion seminar discussing the impact of clothing choices on self-expression, this quote can be used to highlight the significance of appreciating beauty.
Touch the earth, love the earth, honour the earth, her plains, her valleys, her hills, and her seas; rest your spirit in her solitary places.
If there is one thing clear about the centuries dominated by the factory and the wheel, it is that although the machine can make everything from a spoon to a landing-craft, a natural joy in earthly living is something it never has and never will be able to manufacture.
Learn to reverence night and to put away the vulgar fear of it, for, with the banishment of night from the experience of man, there vanishes as well a religious emotion, a poetic mood, which gives depth to the adventure of humanity.
The leaves fall, the wind blows, and the farm country slowly changes from the summer cottons into its winter woods.
Our fantastic civilization has fallen out of touch with many aspects of nature, and with none more completely than with night.
When the Pleiades and the wind in the grass are no longer a part of the human spirit, a part of very flesh and bone, man becomes, as it were, a kind of cosmic outlaw, having neither the completeness nor integrity of the animal nor the birthright of a true humanity.
I think women are vital to the future of the superhero comics and the entire industry - as creators, as editors, as consumers, as retailers.
Whenever I play recitals, the part where I talk about music and my experiences of music, audiences always like it. They feel more involved with an artist who talks to them. It's a nice experience for me as well.
Early on my career, I figured out that I just have to write the book I have to write at that moment. Whatever else is going on in the culture is just not that important. If you could get the culture to write your book, that would be great. But the culture can't write your book.
I don't understand why the press is so interested in speculating about my appearance, anyway. What does my face have to do with my music or my dancing?
When the artist is alive in any person, whatever his kind of work may be, he becomes an inventive, searching, daring, self-expressing creature.
Movement is expressive. I've never denied that. I don't think there's such a thing as abstract dance.
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