It's a privilege to serve the poor, to be servants of noble Africans, but I better belong in the rehearsal room or in the studio with my band. That's where I want to be and I still wake up in the morning with melodies in my head.
BonoRead
What I like about pop music, and why I'm still attracted to it, is that in the end it becomes our folk music.
Interpretation
Pop music evolves to resonate with the collective experiences of society, becoming a shared cultural treasure.
Bono's quote expresses the idea that pop music, despite its commercial nature, eventually reflects the stories and emotions of the people, creating a sense of community and shared experience. He views pop music as more than just entertainment; it serves as a modern folk music that captures the essence of a generation's feelings, struggles, and joys.
In practice
You could use this quote when discussing the cultural impact of music at a community event.
It's a privilege to serve the poor, to be servants of noble Africans, but I better belong in the rehearsal room or in the studio with my band. That's where I want to be and I still wake up in the morning with melodies in my head.
Perspective is the cure for depression.
At a certain point, I just felt, you know, God is not looking for alms, God is looking for action.
It's much easier to be successful than it is to be relevant. The tricks won't keep you relevant. Tricks might keep you popular for a while, but in all honesty, I don't know how U2 will stay relevant. I know we've got a future. I know we can fill stadiums. And yet with every record, I think, 'Is this it? Are we still relevant?'
God is in the slums, in the cardboard boxes where the poor play house. God is in the silence of a mother who has infected her child with a virus that will end both their lives. God is in the cries heard under the rubble of war. God is in the debris of wasted opportunity and lives, and God is with us if we are with them.
Hanging out with politicians and corporations is very unhip work. But I think that the U2 audience have turned out to be incredibly subtle in their understanding.
Certainly tolerance and acceptance were at the forefront of my music.
When one knows at an early age that their gift, talent and direction is musical, one tends to focus on that and let nothing interfere or impede the forward motion toward the end of that rainbow. And after 50-something years of rockin' out, you still realise there is no end to that distant rainbow until one's last sunset.
I cannot give a single concert at which I do not play one piece after the other in an agony of terror because my memory threatens to fail me. This fear torments me for days beforehand.
Like family, we are tied to each other. This is what all good musicians understand.
I hate a song that makes you think that you are not any good. I hate a song that makes you think that you are just born to lose. Bound to lose. No good to nobody. No good for nothing. Because you are too old or too young or too fat or too slim too ugly or too this or too that.
I'd like to think that when I sing a song, I can let you know all about the heartbreak, struggle, lies and kicks in the ass I've gotten over the years for being black and everything else, without actually saying a word about it.
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