Heart, we will forget him, You and I, tonight! You must forget the warmth he gave, I will forget the light.
Emily DickinsonRead
In such a porcelain life, one likes to be sure that all is well lest one stumble upon one's hopes in a pile of broken crockery.
Interpretation
This quote reflects the fragility of life and the need to safeguard our hopes and dreams from disappointment.
Emily Dickinson's quote speaks to the delicate nature of existence, equating life to porcelain—beautiful yet easily shattered. It emphasizes the importance of certainty and security, suggesting that one must take care not to let their aspirations become damaged or lost in the chaos of life's uncertainties, much like finding hopes among broken ceramic pieces.
In practice
This quote can be used in a discussion about the challenges of pursuing one's dreams.
Heart, we will forget him, You and I, tonight! You must forget the warmth he gave, I will forget the light.
I held a jewel in my fingers And went to sleep. The day was warm, and winds were prosy; I said: "'T will keep." I woke and chid my honest fingers,— The gem was gone; And now an amethyst remembrance Is all I own.
I'll tell you how the sun rose, a ribbon at a time. The steeples swam in amethyst, The news like squirrels ran. The hills untied their bonnets, The bobolinks begun. Then I said softly to myself, "That must have been the sun!
My best Acquaintances are those With Whom I spoke no Word
This is the Hour of Lead- Remembered, if outlived, As freezing persons, recollect the Snow- First-Chill-then Stupor- then the letting go---
Luck is not chance, it's toil; fortune's expensive smile is earned.
I am dying, but the state remains.
What's in store for me in the direction I don't take?
All around us, aspects of the modern world - diet, exercise, medicine, art, work, family, philosophy, economics, ecology, psychology - have begun a long circle back toward their former coherence. Whether they can arrive before the natural world is damaged beyond repair and madness destroys humanity, we cannot tell.
I don't believe in death, neither in flesh nor in spirit.
I suppose it's a very highly developed form of denial, but some part of me completely denies that I'm a performer.
Capitalism will behave antisocially if it is profitable for it to do so, and that can now mean human devastation on an unimaginable scale. What used to be apocalyptic fantasy is today no more than sober realism.
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