She stands and moves within the invisible pentacle of her own virginity. She is an unbroken egg: she is a sealed vessel; she has inside her a magic space the entrance to which is shut tight with a plug of membrane; she is a closed system; she does not know how to shiver.
Pornographers are the enemies of women only because our contemporary ideology of pornography does not encompass the possibility of change, as if we were the slaves of history and not its makers. . . . Pornography is a satire on human pretensions.
Interpretation
What this quote means
This quote critiques the ideology surrounding pornography, highlighting the lack of recognition for change and the power to shape history.
Angela Carter's quote suggests that pornography is not just an expression of desires but a reflection of deeper societal flaws. By framing pornographers as enemies of women, she argues that the prevailing ideology restricts us, implying that we are bound by the past rather than being empowered to create new narratives. Furthermore, she posits that pornography itself serves as a critique of human ideals, revealing the contradictions and pretensions inherent in our understanding of sexuality and power dynamics.
Themes
In practice
Example use cases
In a discussion about feminism and media, this quote could underline the critique of contemporary cultural narratives.
More from Angela Carter
All quotes →Cities have sexes: London is a man, Paris a woman, and New York a well-adjusted transsexual.
Those are the voices of my brothers, darling; I love the company of wolves.
For most of human history, 'literature,' both fiction and poetry, has been narrated, not written — heard, not read. So fairy tales, folk tales, stories from the oral tradition, are all of them the most vital connection we have with the imaginations of the ordinary men and women whose labor created our world.
Iconic clothing has been secularized. . . . A guardsman in a dress uniform is ostensibly an icon of aggression; his coat is red as the blood he hopes to shed. Seen on a coat-hanger, with no man inside it, the uniform loses all its blustering significance and, to the innocent eye seduced by decorative colour and tactile braid, it is as abstract in symbolic information as a parasol to an Eskimo. It becomes simply magnificent.
To pin your hopes upon the future is to consign those hopes to a hypothesis, which is to say, a nothingness. Here and now is what we must contend with.
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