As a loyal believer in the Auteur Theory I first felt editing was but the logical consequence of the way in which one shoots. But, what I learned is that it is actually another writing.
Bernardo BertolucciRead
The problem in Hollywood is that they try to become the only kind of cinema in the world, okay? The imposition everywhere of a unique culture, which is Hollywood culture, and a unique way of life, which is the American way of life.
Interpretation
Bertolucci critiques Hollywood's dominance in global culture and its impact on diverse perspectives.
In this quote, Bernardo Bertolucci expresses concern over Hollywood's tendency to impose its cultural narratives and lifestyle on the world, arguing that such dominance stifles the rich variety of global cinema. He highlights the dangers of a homogenized cultural landscape, where the unique voices and stories of different cultures might be overshadowed by the pervasive influence of the American film industry.
In practice
Discussing the impact of global cinema in a film studies class.
As a loyal believer in the Auteur Theory I first felt editing was but the logical consequence of the way in which one shoots. But, what I learned is that it is actually another writing.
What always made me proud - almost blushing with pride - is that Francis Coppola, Martin Scorsese, Steven Spielberg all told me that 'The Conformist' is their first modern influence.
I remember being young in the 1960s... we had a great sense of the future, a great big hope. This is what is missing in the youth today. This being able to dream and to change the world.
For American filmmakers, the Oscars is like a mystic thing. For me, it was being in a mirror of my dreams when I was dreaming of Hollywood when I was an adolescent.
When I shoot, I try to feel the body and the face and the weight of the actor, because the character until that moment is only in the pages of the script. And very often, I pull from the life of my actors. I'm always curious about what these characters and these actors are hiding about their lives.
If I don't fall in love with my characters, I cannot shoot.
Them as can do has to do for them as can't. And someone has to speak up for them as has no voices.
Ah, Misha, he has a stormy spirit. His mind is in bondage. He is haunted by a great, unsolved doubt. He is one of those who don't want millions, but an answer to their questions.
I'm a pessimist if I'm not careful, a feminist, a Black,...an oil-and-water combination of ambition, laziness, insecurity, certainty, and drive.
The most sophisticated people I know - inside they are all children.
I thought, I'm only going to be on this planet once, and only for a short time. What can I do with my life that will lead to permanent benefits?
Imaginary evils soon become real one by indulging our reflections on them.
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