As a loyal believer in the Auteur Theory I first felt editing was but the logical consequence of the way in which one shoots. But, what I learned is that it is actually another writing.
Bernardo BertolucciRead
When I shoot, I try to feel the body and the face and the weight of the actor, because the character until that moment is only in the pages of the script. And very often, I pull from the life of my actors. I'm always curious about what these characters and these actors are hiding about their lives.
Interpretation
The quote emphasizes the deep connection between an actor's life experiences and the characters they portray.
In this quote, Bernardo Bertolucci reflects on the process of filmmaking and the intimate relationship between an actor's real-life experiences and their portrayal of a character. He emphasizes the importance of understanding the actor's physicality and emotional depth, as the character initially exists only in writing. By drawing from the actors' lives, Bertolucci suggests that authenticity and a deeper layer of truth can be brought to the performance.
In practice
In a film studies class when discussing the importance of character preparation.
As a loyal believer in the Auteur Theory I first felt editing was but the logical consequence of the way in which one shoots. But, what I learned is that it is actually another writing.
What always made me proud - almost blushing with pride - is that Francis Coppola, Martin Scorsese, Steven Spielberg all told me that 'The Conformist' is their first modern influence.
The problem in Hollywood is that they try to become the only kind of cinema in the world, okay? The imposition everywhere of a unique culture, which is Hollywood culture, and a unique way of life, which is the American way of life.
I remember being young in the 1960s... we had a great sense of the future, a great big hope. This is what is missing in the youth today. This being able to dream and to change the world.
For American filmmakers, the Oscars is like a mystic thing. For me, it was being in a mirror of my dreams when I was dreaming of Hollywood when I was an adolescent.
If I don't fall in love with my characters, I cannot shoot.
For a film maker, an Oscar is like a Nobel Prize, you know. So I am very happy... delighted. There is nothing more after this. I cannot hope to get anything more prestigious.
We're told that independent film lovers... folks that are used to watching art house films, won't come out and see a film with black people in it - I've been told that in rooms, big rooms, studio rooms, and I know that's not true.
And I think that after nearly 85 years upon this planet that I have a right after working so hard at showing the desolation and the poverty, to show something beautiful for somebody as well.
No good movie is too long and no bad movie is short enough.
The light constantly changes, and that alters the atmosphere and beauty of things every minute.
To chart a course, one must have a direction. In reality, the eye is no better than the philosophy behind it. The photographer creates, evolves a better, a more selective, more acute seeing eye by looking ever more sharply at what is going on in the world.
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