If in the first act you have hung a pistol on the wall, then in the following one it should be fired. Otherwise don't put it there.
Anton ChekhovRead
In displaying the psychology of your characters, minute particulars are essential. God save us from vague generalizations!
Interpretation
Attention to detail is crucial in character development, avoiding vague portrayals.
This quote emphasizes the importance of incorporating specific details in character psychology to create depth and realism in storytelling. Chekhov warns against the pitfalls of vague generalizations, which can weaken the connection between the audience and the characters, ultimately detracting from the overall narrative.
In practice
A writer discussing the importance of character development in a workshop.
If in the first act you have hung a pistol on the wall, then in the following one it should be fired. Otherwise don't put it there.
There are still many more days of failure ahead, whole seasons of failure, things will go terribly wrong, you will have huge disappointments , but you have to prepare for that, you have to expect it and be resolute and follow your own path.
Any idiot can face a crisis - it's day to day living that wears you out.
To a chemist, nothing on earth is unclean. A writer must be as objective as a chemist; he must abandon the subjective line; he must know that dungheaps play a very respectable part in a landscape, and that evil passions are as inherent in life as good ones.
When you want to touch the reader's heart, try to be colder. It gives their grief as it were, a background, against which it stands out in greater relief.
Why are we worn out? Why do we, who start out so passionate, brave, noble, believing, become totally bankrupt by the age of thirty or thirty-five? Why is it that one is extinguished by consumption, another puts a bullet in his head, a third seeks oblivion in vodka, cards, a fourth, in order to stifle fear and anguish, cynically tramples underfoot the portrait of his pure, beautiful youth? Why is it that, once fallen, we do not try to rise, and, having lost one thing, we do not seek another? Why?
We want to see the newest things. That is because we want to see the future, even if only momentarily. It is the moment in which, even if we don't completely understand what we have glimpsed, we are nonetheless touched by it. This is what we have come to call art.
The hardest thing for - not only an artist but for anybody to do is look themselves in the mirror and acknowledge, you know, their own flaws and fears and imperfections and put them out there in the open for people to relate to it.
In a clown, we see what we do that makes us laugh and cry. I kept the white face, the tradition of the Pierrot. My clown became a romantic and stylized figure. I wanted to be an abstract and concrete figure, a symbol of humanity.
I like silence. Aesthetically, I feel strangled by the fast cutting and a wall of sound. And I think showing black people thinking onscreen is radical.
I refuse to go onstage without looking into the eyes and touching everyone I'm working with... we're all in it together, and everyone's an equal part when we're onstage.
I think a playwright realizes after he finishes working on the script that this is only the beginning. What will happen when it moves into three dimensions?
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