An abstract painting need in 50 years by no means look "abstract" any longer.
Marcel DuchampRead
I refused to accept anything, doubted everything. So, doubting everything, I had to find something that had not existed before, something I had not thought of before. Any idea that came to me, the thing would be to turn it around and try to see it with another set of senses.
Interpretation
The quote emphasizes the importance of skepticism and creative thinking in the artistic process.
Marcel Duchamp's quote reflects the notion that a true artist must challenge conventional beliefs and perceptions. By refusing to accept established norms and embracing doubt, the artist embarks on a journey of exploration, seeking innovative ideas and perspectives that have not previously been considered. This approach allows for the transformation of ideas through unconventional thinking, fostering creativity and originality in art.
In practice
This quote can be shared in an art class to inspire students to think creatively.
An abstract painting need in 50 years by no means look "abstract" any longer.
All this twaddle, the existence of God, atheism, determinism, liberation, societies, death, etc., are pieces of a chess game called language, and they are amusing only if one does not preoccupy oneself with 'winning or losing this game of chess.
I am still a victim of chess. It has all the beauty of art - and much more. It cannot be commercialized. Chess is much purer than art in its social position.
I never finished the 'Large Glass' because, after working on it for eight years, I probably got interested in something else; also, I was tired. It may be that, subconsciously, I never intended to finish it because the word 'finish' implies an acceptance of traditional methods and all the paraphernalia that accompany them.
It's a product of two poles - there's the pole of the one who makes the work, and the pole of the one who looks at it. I give the latter as much importance as the one who makes it.
I became a librarian at the Sainte-Genevieve Library in Paris. I made this gesture to rid myself of a certain milieu, a certain attitude, to have a clean conscience, but also to make a living. I was twenty-five. I had been told that one must make a living, and I believed it.
But however measurable, there is much more life in music than mathematics or logic ever dreamed of.
I want paint to work as flesh... my portraits to be of the people, not like them. Not having a look of the sitter, being them ... As far as I am concerned the paint is the person. I want it to work for me just as flesh does.
Scientists do stand on the shoulders of giants, just as do writers. Conversely, in the arts we do make discoveries. We do refine our tools. So I am arguing with, or at least playing with, the idea that art never improves.
Natural beauty is essentially temporary and sad, hence the impression of obscene mockery which artificial flowers give us.
Camera lies all the time. It’s all it does is lie, because when you choose this moment instead of this moment, when you… the moment you’ve made a choice, you’re lying about something larger. Lying is an ugly word. I don’t mean lying. But any artist picks and chooses what they want to paint or write about or say. Photographers are the same.
I don't design. I get what I think is a big idea, and I put the idea down. I'm not a designer. I'm a communicator.
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