The public needs art, and it is the responsibility of a ’self-proclaimed artist’ to realize the public needs art, and not to make bourgeois art for the few and ignore the masses. … I am interested in making art to be experienced and explored by as many individuals as possible with as many different individual ideas about the given piece with no final meaning attached. The viewer creates the reality, the meaning, the conception of the piece. I am merely a middleman trying to bring ideas together.
Interpretation
Art should be accessible to everyone and open to individual interpretation, rather than limited to a select few.
In this quote, Keith Haring emphasizes the importance of art being a collective experience rather than an exclusive one. He argues that artists have a responsibility to create work that resonates with the public and invites diverse interpretations, rather than conforming to traditional standards meant for an elite audience. Haring sees himself as a facilitator in the artistic process, where the viewer actively shapes the meaning of the artwork, highlighting the collaborative nature of art and its impact on society.
In practice
During an art exhibition, one might use this quote to discuss the importance of accessibility in art.
I am intrigued with the shapes people choose as their symbols to create a language. There is within all forms a basic structure, an indication of the entire object with a minimum of lines that becomes a symbol. This is common to all languages, all people, all times.
The act of creation is a kind of ritual. The origins of art and human existence lie hidden in this mystery of creation. Human creativity reaffirms and mystifies the power of 'life.
When it is working, you completely go into another place, you're tapping into things that are totally universal, completely beyond your ego and your own self. That's what it's all about.
Drawing is still basically the same as it has been since prehistoric times. It brings together man and the world. It lives through magic.
I don't think art is propaganda; it should be something that liberates the soul, provokes the imagination and encourages people to go further. It celebrates humanity instead of manipulating it.
I think you have to control the materials to an extent, but it's important to let the materials have a kind of power for themselves; like the natural power of gravity, if you are painting on a wall, it makes the paint trickle and it drips; there is no reason to fight that.
You use a glass mirror to see your face; you use works of art to see your soul.
The willed recovery of what's been lost - often forcibly, I suppose - is what keeps me going. It is this reason I found myself a poet and a collector and now a curator: to save what we didn't even know needed saving.
I was lucky enough to grow up in a house where we listened to all kinds of music. We listened to Haitian, hip hop, soul, classical jazz, gospel and Cuban music, to name a few. When you have access to that as a child, it just opens up your world.
Working in Hollywood does give one a certain expertise in the field of prostitution.
Music embodies feeling without forcing it to contend and combine with thought, as it is forced in most arts and especially in the art of words.
A friend of my mother's, Irene Lopez, was a Spanish dancer. She saw me bopping around the room and said to my mother, 'Rosita might have talent. Can I take her to my dance teacher?' There was no thought of a career at that time, but I knew I loved the attention, and that's so much a part of being a performer.
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