I think there are a lot of rules for women. We have a lot of expectations and a lot of rules for women. So we're expected to march in a straight line, and when we don't, all hell breaks loose.
Roxane GayRead
That the question of likability even exists in literary conversations is odd. It implies that we are engaging in a courtship. When characters are unlikable, they don’t meet our mutable, varying standards. Certainly we can find kinship in fiction, but literary merit shouldn’t be dictated by whether we want to be friends or lovers with those about whom we read.
Interpretation
The likability of characters in literature shouldn't dictate their value or merit.
Roxane Gay argues that the discussion surrounding likability in literature is peculiar because it relates to personal preferences in relationships. She contends that the assessment of literary merit shouldn't depend on whether readers find characters appealing or want to form connections with them, as meaningful narratives can arise from unlikable figures.
In practice
During a book club discussion about complex protagonists, one might use this quote to highlight how character flaws can enhance a story.
I think there are a lot of rules for women. We have a lot of expectations and a lot of rules for women. So we're expected to march in a straight line, and when we don't, all hell breaks loose.
I believe in the freedom of expression, unequivocally - though, as I have written before, I wish more people would understand that freedom of expression is not freedom from consequence.
Public intellectuals are often put in the position of having their words, no matter how off-the-cuff, treated as doctrine.
No one is helped when cultural critics use their voices irresponsibly.
I have never dreamed of being a princess. I have not longed for Prince Charming. I have and do long for something resembling a happily ever after. I am supposed to be above such flights of fantasy, but I am not. I am enamored of fairy tales.
There has been, and there will continue to be, vigorous discussions about race in America. I worry that little will come of these discussions because we aren't addressing what must be done to change the current racial climate.
It is not the voice that commands the story: it is the ear.
It really matters to writers to find and treasure readers, all the more when they're on the other side of the world.
A classic,' suggested Anthony, 'is a successful book that has survived the reaction of the next period or generation. Then it's safe, like a style in architecture or furniture. It's acquired a picturesque dignity to take the place of its fashion.
Walter Scott has no business to write novels, especially good ones. It is not fair. He has fame and profit enough as a poet, and should not be taking the bread out of the mouths of other people.
you can tell the deepest truths with the lies of fiction
Fiction and nonfiction are not so easily divided. Fiction may not be real, but it's true; it goes beyond the garland of facts to get to emotional and psychological truths.
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