I think there are a lot of rules for women. We have a lot of expectations and a lot of rules for women. So we're expected to march in a straight line, and when we don't, all hell breaks loose.
Roxane GayRead
That the question of likability even exists in literary conversations is odd. It implies that we are engaging in a courtship. When characters are unlikable, they don’t meet our mutable, varying standards. Certainly we can find kinship in fiction, but literary merit shouldn’t be dictated by whether we want to be friends or lovers with those about whom we read.
Interpretation
The likability of characters in literature shouldn't dictate their value or merit.
Roxane Gay argues that the discussion surrounding likability in literature is peculiar because it relates to personal preferences in relationships. She contends that the assessment of literary merit shouldn't depend on whether readers find characters appealing or want to form connections with them, as meaningful narratives can arise from unlikable figures.
In practice
During a book club discussion about complex protagonists, one might use this quote to highlight how character flaws can enhance a story.
I think there are a lot of rules for women. We have a lot of expectations and a lot of rules for women. So we're expected to march in a straight line, and when we don't, all hell breaks loose.
I believe in the freedom of expression, unequivocally - though, as I have written before, I wish more people would understand that freedom of expression is not freedom from consequence.
Public intellectuals are often put in the position of having their words, no matter how off-the-cuff, treated as doctrine.
No one is helped when cultural critics use their voices irresponsibly.
I have never dreamed of being a princess. I have not longed for Prince Charming. I have and do long for something resembling a happily ever after. I am supposed to be above such flights of fantasy, but I am not. I am enamored of fairy tales.
There has been, and there will continue to be, vigorous discussions about race in America. I worry that little will come of these discussions because we aren't addressing what must be done to change the current racial climate.
People in my novels always have terrible problems. If they are not terrible, I make them more terrible.
What I've always tried to find in my books are points at which the private lives of the characters, and also my own, intersect with the public life of the culture.
Novelists, it seems to me, are the very last people who should be asked to comment on the news of the day, and sooner or later, when they have been pilloried for their views, most of them recognise this.
The light that radiates from the great novels time can never dim, for human existence is perpetually being forgotten by man and thus the novelists' discoveries, however old they may be, will never cease to astonish.
It's extraordinary how many people read a book that's new and weird and befriend it.
The poet gives us his essence, but prose takes the mould of the body and mind entire.
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