My music is best understood by children and animals.
Igor StravinskyRead
The real composer thinks about his work the whole time; he is not always conscious of this, but he is aware of it later when he suddenly knows what he will do.
Interpretation
A true composer is continually engaged with their work, even if they are not actively thinking about it.
Igor Stravinsky suggests that the creative process for a composer is an ongoing, subconscious engagement with their music. While a composer may not always be actively aware of their thoughts about their work, they eventually become conscious of their creative direction, often experiencing sudden clarity in their artistic vision.
In practice
In a lecture about the creative process in music composition.
My music is best understood by children and animals.
Conductors' careers are made for the most part with 'Romantic' music. 'Classic' music eliminates the conductor; we do not remember him in it.
The trouble with music appreciation in general is that people are taught to have too much respect for music they should be taught to love it instead.
Invention presupposes imagination but should not be confused with it.
I was born out of due time in the sense that by temperament and talent I should have been more suited for the life of a small Bach, living in anonymity and composing regularly for an established service and for God.
A composer is not only an architect but also an inventor, and he should not build houses in which he cannot live.
There is still a real need for good quality architecture, not paper architecture, but the real stuff.
It's a great thing that the United States has given the rest of the world - no other country has given such great popular music to the Far East and Europe. When I play those great countries, a lot of times, the audience starts singing the songs with me. They know them. They love them.
Dancing insists we take up space, and though it has no set direction, we go there together. Dance is dangerous, joyous, sexual, holy, disruptive, and contagious and it breaks the rules. It can happen anywhere, at anytime, with anyone and everyone, and it's free. Dance joins us and pushes us to go further and that is why it's at the center of ONE BILLION RISING.
It took me four years to paint like Raphael, but a lifetime to paint like a child.
Great art is indefinable but that's all right; it exists anyway.
Art bids us touch and taste and hear and see the world, and shrinks from what Blake calls mathematic form, from every abstract form, from all that is of the brain only.
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