Vogue always did stand for people's lives. I mean, a new dress doesn't get you anywhere; it's the life you're living in the dress, and the sort of life you had lived before, and what you will do in it later.
Diana VreelandRead
The only real elegance is in the mind; if you've got that, the rest really comes from it.
Interpretation
True elegance originates from one's mindset, not just outward appearance.
Diana Vreeland's quote suggests that genuine elegance is a reflection of an individual's thoughts and intellect rather than merely external aesthetics. It emphasizes that a refined and sophisticated mindset is the true source of elegance, influencing how one presents themselves to the world.
In practice
In a fashion seminar discussing the essence of style.
Vogue always did stand for people's lives. I mean, a new dress doesn't get you anywhere; it's the life you're living in the dress, and the sort of life you had lived before, and what you will do in it later.
Don't look back. Just go ahead. Give ideas away. Under every idea there's a new idea waiting to be born.
I wasn't a fashion editor. I was the one and only fashion editor.
Allure is a word very few people use nowadays, but it's something that exists. Allure holds you, doesn't it? Whether it's a gaze or a glance in the street or a face in the crowd or someone sitting opposite you at lunch... you are held
There’s only one thing in life, and that’s the continual renewal of inspiration.
You gotta have style to get up in the morning
To win applause one must write stuff so simple that a coachman might sing it.
When I applied for grad school, I did not specify genre. I said I wanted an MFA in Creative Writing. I was so cute and stupid! The admissions committee at Pitt decided to put me in poetry.
A scientist worthy of his name, about all a mathematician, experiences in his work the same impression as an artist; his pleasure is as great and of the same nature.
I've spent most of my life embracing violence in wars and revolutions. Even a famine is a form of violence. Because I photograph people in peril, people in pain, people being executed in front of me, I find it very difficult to get my head around the art narrative of photography.
I wake up from dreams and go, 'Wow, put this down on paper.' The whole thing is strange. You hear the words, everything is right there in front of your face. ... I am always writing a potpourri of music. I want to give the world escapism through the wonder of great music and to reach the masses. ... And I remember going to the record studio and there was a park across the street and I'd see all the children playing and I would cry because it would make me sad that I would have to work instead.
I always thought I'd eventually learn how to draw really well, and despite constant evidence to the contrary, I just kept on trying. If you're too good at anything, you don't have to think about the process, whereas I feel like I spend my life with my head under the bonnet, trying to understand how everything works.
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