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I suppose it is submerged realities that give to dreams their curious air of hyper-reality. But perhaps there is something else as well, something nebulous, gauze-like, through which everything one sees in a dream seems, paradoxically, much clearer. A pond becomes a lake, a breeze becomes a storm, a handful of dust is a desert, a grain of sulphur in the blood is a volcanic inferno. What manner of theater is it, in which we are at once playwright, actor, stage manager, scene painter and audience?
W. G. Sebald
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Interpretation

What this quote means

The quote explores the intricate relationship between dreams and perceived reality, suggesting that dreams can distort yet clarify our understanding of both.

In this quote, W. G. Sebald delves into the profound layers of human consciousness and dreams, proposing that dreams are not merely random creations of the mind but are imbued with deeper meanings and realities that reflect our innermost thoughts. He presents the idea that while dreams may distort reality—transforming a pond into a lake or a breeze into a storm—they simultaneously sharpen our perception of these elements, suggesting an enigmatic theater of existence where we play multiple roles, blurring the lines between creator and observer.

Themes

DreamsRealityPerceptionTheaterConsciousness

In practice

Example use cases

This quote could be used in a discussion about the nature of dreams versus waking life in a psychology class.

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When I was a boy, I'd hide under the kitchen table and wind string around the chairs. I have a sense now that I am pulling on those threads. The more I pull, the more it comes unraveled.
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If you're based in two places, on a bad day you see only the disadvantages everywhere. On a bad day, returning to Germany brings back all kinds of spectres from the past.
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The seasons and the years came and went...and always...one was, as the crow flies, about 2,000 km away - but from where? - and day by day hour by hour, with every beat of the pulse, one lost more and more of one's qualities, became less comprehensible to oneself, increasingly abstract.
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You could grow up in Germany in the postwar years without ever meeting a Jewish person. There were small communities in Frankfurt or Berlin, but in a provincial town in south Germany, Jewish people didn't exist.
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No matter whether one is flying over Newfoundland or the sea of lights that stretches from Boston to Philadelphia after nightfall, over the Arabian deserts which gleam like mother-of-pearl, over the Ruhr or the city of Frankfurt, it is as though there were no people, only the things they have made and in which they are hiding.
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