The body says what words cannot.
Martha GrahamRead
The reason dance has held such an ageless magic for the world is that it has been the symbol of the performance of living.
Interpretation
Dance symbolizes the essence of living, capturing the beauty and complexity of life.
Martha Graham emphasizes that dance transcends time and cultural barriers, serving as an enduring expression of life itself. It encapsulates our experiences, emotions, and the human condition, making it a powerful medium for communication and connection.
In practice
During a celebration, one might say, 'As Martha Graham said, dance embodies the magic of life, let's celebrate through movement.'
The body says what words cannot.
Nobody cares if you can't dance well.
Movement never lies. It is a barometer telling the state of the soul's weather to all who can read it.
What people in the world think of you is really none of your business.
No artist is pleased. There is no satisfaction whatever at any time. There is only a strange, divine dissatisfaction, a blessed unrest that keeps us marching and makes us more alive than the others.
The body is your instrument in dance, but your art is outside that creature, the body.
I never regret things. It's a really dangerous thing to say, but for anyone involved in the arts, the bad things that happen make for good material. It's not a comfortable truth, but it is true.
Tina Turner is someone that I admire, because she made her strength feminine and sexy. Marilyn Monroe, because she was a curvy woman. I'm drawn to things that have the same kind of silhouettes as what she wore because our bodies are similar.
Too much of what passes for design now is theater. It's one thing to be eccentric- and by the way, most eccentrics tend to be rather well-educated people - and quite another to be a faddist, by which I mean someone who tries to conjure a totally foreign aesthetic in a misplaced environment.
I didn’t want a completely passive viewer. Art means too much to me. To be able to articulate something visually is really an important thing. I wanted to make work where the viewer wouldn’t walk away; he would giggle nervously, get pulled into history, into fiction, into something totally demeaning and possibly very beautiful
No translation can possibly be perfect. Every production and every performance is a different path up the mountain, and nobody ever makes it all the way to the summit.
I am very depressed and deeply disgusted with painting. It is really a continual torture.
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