When silence is a choice, it is an unnerving presence. When silence is imposed, it is censorship.
Terry Tempest WilliamsRead
I write to create red in a world that often appears black and white.
Interpretation
The quote emphasizes the role of creativity in bringing color and depth to a world that is often seen as dull or simplistic.
Terry Tempest Williams highlights the transformative power of art and writing as tools to introduce complexity and emotion into an otherwise stark and binary view of life. This perspective encourages individuals to embrace creativity and personal expression as a means of enriching their surroundings and perceptions.
In practice
Use this quote to inspire young artists at a workshop about the importance of personal expression in their work.
When silence is a choice, it is an unnerving presence. When silence is imposed, it is censorship.
The human heart is the first home of democracy. It is where we embrace our questions: Can we be equitable? Can we be generous? Can we listen with our whole beings, not just our minds, and offer our attention rather than our opinion? And do we have enough resolve in our hearts to act courageously, relentlessly, without giving up, trusting our fellow citizens to join us in our determined pursuit-a living democracy?
Once upon a time, when women were birds, there was the simple understanding that to sing at dawn, and to sing at dusk, was to heal the world through joy. The birds still remember what we have forgotten, that the world is meant to be celebrated.
I am slowly, painfully discovering that my refuge is not found in my mother, my grandmother, of even the birds of Bear River. My refuge exists in my capacity to love. If I can learn to love death then I can begin to find refuge in change.
How do we remain faithful to our own spiritual imagination and not betray what we know in our own bodies? The world is holy. We are holy. All life is holy.
The Eyes of the Future are looking back at us and they are praying for us to see beyond our own time.
Music is a weapon of the future / music is the weapon of the progressives / music is the weapon of the givers of life
So it's joyful to me, in my 71st year, to be able to be in a play that is absolutely right for my age and my experience, and that is a popular success. What more could you ask as an actor?
It helps me to learn things in different languages, even if it's just phonetically, and to make myself vulnerable to other audiences by trying to reflect back to them the genius of their own cultures, and to do that, oftentimes, in new jazz settings, new arrangements. It's a way to show respect.
It’s such a fun job, and it can be silly and light and about making people laugh. I think I was doing it a disservice by thinking it’s not something ultimately important. I always was saying, ‘I’m not saving lives; I’m not a brain surgeon.’ And that’s true—I’m not saving anyone from any life-threatening illnesses. But I get to tell stories, and that’s a pretty important task.
One writes out of one thing only - one's own experience. Everything depends on how relentlessly one forces from this experience the last drop, sweet or bitter, it can possibly give. This is the only real concern of the artist, to recreate out of the disorder of life that order which is art.
I'm suspicious of the idea of categories in music and this idea of things being in boxes. To me, that seems unnatural. I write the music that somebody with my biography would write, and the thing that's always driven me is an enthusiasm for the material. I sort of follow the notes to where they want to go.
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