I just do my work, and I work every day, and my ambition is just to do something better than I last did.
Patti SmithRead
If I have any regrets, I could say that I'm sorry I wasn't a better writer or a better singer.
Interpretation
The quote expresses a reflection on personal shortcomings in creative expression.
Patti Smith reflects on her life's journey, acknowledging a sense of regret for not achieving her fullest potential as a writer and singer. This introspection reveals the common human desire to strive for excellence and the weight of self-criticism that can come with artistic pursuits.
In practice
Using this quote during a writing workshop to inspire participants to reflect on their creative journey.
I just do my work, and I work every day, and my ambition is just to do something better than I last did.
My small torrent of words dissipated into an elaborate sense of expanding and receding. It was my entrance into the radiance of imagination. This process was especially magnified within the fevers of influenza, measles, chickenpox, and mumps. I got them all and with each I was privileged with a new level of awareness. Lying deep within myself, the symmetry of a snowflake spinning above me, intensifying through my lids, I seized a most worthy souvenir, a shard of heavenβs kaleidoscope.
For everything bad, there's a million really exciting things, whether it's someone puts out a really great book, there's a new movie, there's a new detective, the sky is unbelievably golden, or you have the best cup of coffee you ever had in your life.
Eyeing the traffic circulating the lobby hung with bad art. Big invasive stuff unloaded on Stanley Bard in exchange for rent. The hotel is an energetic, desperate haven for scores of gifted hustling children from every rung of the ladder. Guitar bums and stoned-out beauties in Victorian dresses. Junkie poets, playwrights, broke-down filmmakers, and French actors. Everybody passing through here is somebody, if not in the outside world.
I've always felt outside of things; I've always felt different.
No matter what anybody thinks about any of them, every record I've done has been done with the same amount of care, anguish, pain, suffering, and joy.
The only logical thing I can think of is that I knew there were such things as artists, and I knew there were none where I lived. So I knew that to be an artist you had to be somewhere else. And I very much wanted to be somewhere else.
The construction of Europe is an art. It is the art of the possible.
You see a child play, and it is so close to seeing an artist paint, for in play a child says things without uttering a word. You can see how he solves his problems. You can also see what's wrong. Young children, especially, have enormous creativity, and whatever's in them rises to the surface in free play.
To win applause one must write stuff so simple that a coachman might sing it.
Because of how much movies cost, it's dangerous to be experimental on one film after the other. But we can experiment with television. We can do things that are fringe and bring ideas to the table that are offbeat and original.
Then about 12 years ago it dawned on me that folk music - the music of Woody Guthrie and Phil Ochs, early Bob Dylan, Johnny Cash, Pete Seeger - could be as heavy as anything that comes through a Marshall stack. The combination of three chords and the right lyrical couplet can be as heavy as anything in the Metallica catalogue.
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