Remember: in order for a perception to change one must be frustrated in one's actions or change one's purpose.
Interpretation
Changing one's perception requires either frustration in actions or a redefinition of purpose.
This quote by Neil Postman highlights the dual pathways through which change in perception can occur. It suggests that when individuals feel frustrated by their current actions, they may be prompted to reevaluate their beliefs and interpretations of the world around them, or alternatively, they may need to consciously alter their goals and intentions to foster new ways of thinking.
In practice
In a motivational speech about embracing change, one might reference this quote to illustrate the necessity of frustration for growth.
Television is a non graded curriculum and excludes no viewer for any reason, at any time. In other words, in doing away wtih the idea of sequenece and continuity in education, television undermines the idea that sequence and continuity have anything to do with thought itself.
Television is altering the meaning of 'being informed' by creating a species of information that might properly be called disinformation. Disinformation does not mean false information. It means misleading information - misplaced, irrelevant, fragmented or superficial information - information that creates the illusion of knowing something, but which in fact leads one away from knowing.
Children enter school as question marks and leave as periods.
When two human beings get together, they're co-present, there is built into it a certain responsibility we have for each other, and when people are co-present in family relationships and other relationships, that responsibility is there. You can't just turn off a person. On the Internet, you can.
A book is an attempt to make through permanent and to contribute to the great conversation conducted by authors of the past. [β¦] The telegraph is suited only to the flashing of messages, each to be quickly replaced by a more up-to-date message. Facts push other facts into and then out of consciousness at speeds that neither permit nor require evaluation. (70)
Everything in our background has prepared us to know and resist a prison when the gates begin to close around us . . . But what if there are no cries of anguish to be heard? Who is prepared to take arms against a sea of amusements? To whom do we complain, and when, and in what tone of voice, when serious discourse dissolves into giggles? What is the antidote to a culture's being drained by laughter?
I did things I did not understand for reasons I could not begin to explain just to be in motion, to be trying to do something, change something in a world I wanted desperately to make over but could not imagine for myself.
You will not be able to stay home, brother./You will not be able to plug in, turn on and cop out./You will not be able to lose yourself on skag and skip,/Skip out for beer during commercials,/Because the revolution will not be televised.
Movements have narratives. They tell stories, because they are not just about rearranging economics and politics. They also rearrange meaning. And they're not just about redistributing the goods. They're about figuring out what is good.
When I was growing up, I felt like I had to qualify it and say I'm British-Pakistani. But now I kind of feel like, in this day in age, this is what British looks like. It looks like me; it looks like Idris Elba, and hopefully through Nasir Khan, people will see that that's what an American can look like as well.
Men do change, and change comes like a little wind that ruffles the curtains at dawn, and it comes like the stealthy perfume of wildflowers hidden in the grass.
In the 1970s, girls didn't do anything. It wasn't their fault. For me and the other working-class girls I hung around with, our route was plotted - you were a secretary and a wife. I wanted to hitchhike around the world, go on motorbikes, be in bands.
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