I had been right: freedom smelled like ozone and thunderstorms and gunpowder all at once, like snow and bonfires and cut grass, it tasted like seawater and oranges.
Interpretation
This quote conveys that freedom is a complex and multi-sensory experience, encompassing various natural and vivid elements.
In this quote, Tana French poetically describes freedom as a rich and immersive experience that invokes a variety of sensory perceptions. The use of contrasting elements like ozone, thunderstorms, and gunpowder alongside snow, bonfires, and cut grass illustrates the diverse and sometimes tumultuous nature of freedom, suggesting that it encompasses both beauty and chaos, as well as the refreshing and vibrant aspects of life.
In practice
A motivational speech about the importance of embracing freedom in our lives.
I used to think I sewed us together at the edges with my own hands, pulled the stitches tight and I could unpick them any time I wanted. Now I think it always ran deeper than that and farther, underground; out of sight and way beyond my control.
Over time, the ghosts of things that happened start to turn distant; once they've cut you a couple of million times, their edges blunt on your scar tissue, they wear thin. The ones that slice like razors forever are the ghosts of things that never got the chance to happen.
Don't get discouraged if you're hammering away at a sentence or a paragraph or a chapter, and it keeps coming out wrong. You're allowed to get it wrong, as many times as you need to; you only need to get it right once.
Most animals are pragmatic about mysteries: If they run across something they don't understand, all they care about is whether it's edible and whether it's dangerous. Humans, on the other hand, are drawn to the mystery for its own sake.
I wanted to tell her that being loved is a talent too, that it takes as much guts and as much work as loving; that some people, for whatever reason, never learn the knack
If you're writing a scene for a character with whom you disagree in every way, you still need to show how that character is absolutely justified in his or her own mind, or the scene will come across as being about the author's views rather than about the character's.
To combat death you don't need much of a life, just one that isn't yet finished.
So much of the language that surrounds us - from things like economics, management theory, and the algorithms built into computer systems - appears to be objective and neutral. But in fact, it is loaded with powerful, and very debatable, political assumptions about how society should work and what human beings are really like.
England! awake! awake! awake! Jerusalem thy sister calls! Why wilt thou sleep the sleep of death And close her from thy ancient walls?
Physically robust infrastructure is not enough if it fails to foster a healthy community; ultimately, all infrastructure is social.
Do not fix hopes on your health, and do not laugh away life. Remember how they walked and now all their joints lie separately, and the tongue with which they talked lightly is eaten away by the worms
Very little of the great cruelty shown by men can really be attributed to cruel instinct. Most of it comes from thoughtlessness or inherited habit. Extract from 'Memories of childhood and youth.'
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