The romance of movies is not just in those stories and those people on the screen but in the adolescent dream of meeting others who feel as you do about what you’ve seen.
Interpretation
Movies evoke a shared emotional experience that connects people beyond the screen.
Pauline Kael suggests that the allure of cinema extends beyond just the narratives and characters portrayed. It lies in the collective experience and emotional resonance shared among audiences, where individuals connect with each other through their reactions and feelings toward the film, creating a sense of community around these shared dreams and experiences.
In practice
During a film discussion panel, to highlight the emotional connections formed through cinema.
I see little of more importance to the future of our country and of civilization than full recognition of the place of the artist. If art is to nourish the roots of our culture, society must set the artist free to follow his vision wherever it takes him.
We read critics for the perceptions, for what they tell us that we didn't fully grasp when we saw the work. The judgments we can usually make for ourselves.
The worst thing about movie-making is that it's like life: nobody can go back to correct the mistakes.
It seems likely that many of the young who don't wait for others to call them artists, but simply announce that they are, don't have the patience to make art.
Imagining [The Wizard of Oz] without Judy Garland is a bit like dancing on wet cement: you can do it, but why would you want to?
What this generation was bred to at television's knees was not wisdom, but cynicism.
I am always wandering around in enigmas. There are young people who constantly come to tell me: you, too, are making Op Art. I haven't the slightest idea what that is, Op Art. I've been doing this work for thirty years now.
I don't want people to look at my menu and see just the ingredients. I want to take them on a journey.
When I went to see certain shows when I was a kid, they changed my life. They made me tap into that place inside myself that I was unable to get to, so music is that tool, that bridge, and that's the kind of music I'm interested in making.
We don't really want to think that the artist is only very skilled, that he has merely devoted his life to perfecting a certain set of intelligible skills.
The thing about science fiction is that it's totally wide open. But it's wide open in a conditional way.
Music can be healing, and with my history and my knowledge of both sides of what looks like a gigantic divide in the world, I feel I can point a way forward to our common humanity again.
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