We should attempt to bring nature, houses, and human beings together in a higher unity.
Ludwig Mies Van Der RoheRead
I hope you will understand that architecture has nothing to do with the inventions of forms. It is not a playground for children, young or old. Architecture is the real battleground of the spirit.
Interpretation
Architecture transcends mere forms; it symbolizes deeper spiritual struggles.
In this quote, Ludwig Mies Van Der Rohe emphasizes that architecture is not merely about the shapes or physical structures we create. Rather, it represents a profound battle of ideals and spirits, highlighting the significance of purpose and intention behind architectural design, beyond mere aesthetic or playful pursuits.
In practice
During a presentation on architectural philosophy.
We should attempt to bring nature, houses, and human beings together in a higher unity.
Architecture depends on facts, but its real field of activity lies in the realm of the significance.
The demands of the time for objectivity and functionality must be fulfilled. If that clearly happens, then the buildings of our day will convey the greatness of which the age is capable, and only a fool will maintain that they lack it.
I think that an industrial process is not like a rubber stamp. Everything has to be put together and, as such, should have its own expression.
Reinforced concrete buildings are by nature skeletal buildings. No noodles nor armoured turrets. A construction of girders that carry the weight, and walls that carry no weight. That is to say, buildings consisting of skin and bones.
Modern buildings of our time are so huge that one must group them. Often the space between these buildings is as important as the buildings themselves.
Music embodies feeling without forcing it to contend and combine with thought, as it is forced in most arts and especially in the art of words.
If you play music for the right reasons, the rest of the things will come. The right reason to play music is that you love it. That's why I play music. I never imagined that I was going to be doing this, especially because I never thought of myself as an instrumentalist.
A stage play is basically a form of uber-schizophrenia. You split yourself into two minds - one being the protagonist and the other being the antagonist. The playwright also splits himself into two other minds: the mind of the writer and the mind of the audience.
Art is our defense against hysteria and death.
My plays have been performed before children, workers, and peasants, and they have well understood the meaning of my theatre. What is needed for people to watch my theatre is a freshness and openness of mind.
I've always felt like I was an actor for hire. And almost apologetic for being a woman of color, trying to stifle that voice. But I don't feel that way in Shondaland. I feel like I am accepted into a world where I'm a part of the narrative - I'm a part of it.
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