Horror, of all the genres, is the only one that can provoke an involuntary visceral reaction.
Stephen Graham JonesRead
We watch a romantic comedy because we want to cry, say, or an action movie so we can participate in heroics. Horror's different. It can hit you with a moment of revulsion so hard you might want to erase the last five minutes of your life, please.
Interpretation
This quote reflects the emotional experiences different genres evoke in viewers.
Stephen Graham Jones explores how various film genres appeal to our emotions in distinct ways. While romantic comedies and action films draw us into joyful or heroic scenarios, horror films provoke intense feelings of revulsion and discomfort, driving us to wish away the unsettling moments they present. This highlights the complex role cinema plays in shaping our emotional landscape.
In practice
In a film discussion, to highlight emotional responses audiences have to horror films.
Horror, of all the genres, is the only one that can provoke an involuntary visceral reaction.
I figure anytime you put an adjective before 'writer,' it's a way of dismissing the writer.
The way humor's usually used in horror, it's as a pressure-release valve; without it, the drama would escalate out of all control almost immediately.
Most zombie stories, the problems they solve are not the actual zombies. The problems they solve are the human interactions.
Every time I lock my people in a spacecraft or land them on an asteroid, the blood wells up again, and I'm writing horror. Horror's my default setting. It's also where I prefer to write.
Making people laugh is so much more difficult than making them sad. Too much fiction defaults to the somber, the tragic. This is because sad endings are easy in comparison - happy endings aren't at all simple to earn, especially when writing to an audience jaded by them.
If you have a career like mine, which is so identified with Hollywood, with big studios and stars, you wonder if maybe you shouldn't go off and do what the world thinks of as more personal films with lesser-known people. But I think I've fooled everybody. I've made personal films all along. I just made them in another form.
Like books and black lives, albums still matter.
All worthy work is open to interpretations the author did not intend. Art isn't your pet -- it's your kid. It grows up and talks back to you.
The struggle of literature is in fact a struggle to escape from the confines of language; it stretches out from the utmost limits of what can be said; what stirs literature is the call and attraction of what is not in the dictionary.
I've always tried to make movies that pull the audience out of their seats... I want audiences to be transported.
It can happen that a book, unlike its authors, grows younger as the years pass.
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