Horror, of all the genres, is the only one that can provoke an involuntary visceral reaction.
Stephen Graham JonesRead
We watch a romantic comedy because we want to cry, say, or an action movie so we can participate in heroics. Horror's different. It can hit you with a moment of revulsion so hard you might want to erase the last five minutes of your life, please.
Interpretation
This quote reflects the emotional experiences different genres evoke in viewers.
Stephen Graham Jones explores how various film genres appeal to our emotions in distinct ways. While romantic comedies and action films draw us into joyful or heroic scenarios, horror films provoke intense feelings of revulsion and discomfort, driving us to wish away the unsettling moments they present. This highlights the complex role cinema plays in shaping our emotional landscape.
In practice
In a film discussion, to highlight emotional responses audiences have to horror films.
Horror, of all the genres, is the only one that can provoke an involuntary visceral reaction.
I figure anytime you put an adjective before 'writer,' it's a way of dismissing the writer.
The way humor's usually used in horror, it's as a pressure-release valve; without it, the drama would escalate out of all control almost immediately.
Most zombie stories, the problems they solve are not the actual zombies. The problems they solve are the human interactions.
Every time I lock my people in a spacecraft or land them on an asteroid, the blood wells up again, and I'm writing horror. Horror's my default setting. It's also where I prefer to write.
Making people laugh is so much more difficult than making them sad. Too much fiction defaults to the somber, the tragic. This is because sad endings are easy in comparison - happy endings aren't at all simple to earn, especially when writing to an audience jaded by them.
The public for which masterpieces are intended is not of this earth.
Filmmaking creates a sort of - trust, maybe. It has led me to a group of people I feel good with. We have something in common because of film, when otherwise we might have nothing.
May what I do flow from me like a river, no forcing and no holding back, the way it is with children.
In documentaries, there's a truth that unfolds unnaturally, and you get to chronicle it. In narratives, you have to create the situations so that the truth will come out.
Some people ask, 'How do you attract the young and so many different people when your poetry is complicated and different?' I say, 'My accomplishment is that my readers trust me and accept my suggestions for change.'
Eraserhead is my most spiritual movie. No one understands when I say that, but it is.
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