Horror, of all the genres, is the only one that can provoke an involuntary visceral reaction.
Stephen Graham JonesRead
Every time I lock my people in a spacecraft or land them on an asteroid, the blood wells up again, and I'm writing horror. Horror's my default setting. It's also where I prefer to write.
Interpretation
The quote reflects the author's affinity for writing horror, indicating that tension and fear are integral to their creative process.
Stephen Graham Jones reveals his instinctive connection to horror as a genre, describing how the act of locking his characters in dangerous situations invokes a visceral emotional response. For him, horror is not just a theme but the foundation of his writing style, suggesting that fear and suspense are core elements that drive his narrative and imagination.
In practice
During a writing workshop, I quoted Stephen Graham Jones to emphasize the power of fear in storytelling.
Horror, of all the genres, is the only one that can provoke an involuntary visceral reaction.
We watch a romantic comedy because we want to cry, say, or an action movie so we can participate in heroics. Horror's different. It can hit you with a moment of revulsion so hard you might want to erase the last five minutes of your life, please.
I figure anytime you put an adjective before 'writer,' it's a way of dismissing the writer.
The way humor's usually used in horror, it's as a pressure-release valve; without it, the drama would escalate out of all control almost immediately.
Most zombie stories, the problems they solve are not the actual zombies. The problems they solve are the human interactions.
Making people laugh is so much more difficult than making them sad. Too much fiction defaults to the somber, the tragic. This is because sad endings are easy in comparison - happy endings aren't at all simple to earn, especially when writing to an audience jaded by them.
Writing should ... be as spontaneous and urgent as a letter to a lover, or a message to a friend who has just lost a parent ... and writing is, in the end, that oddest of anomalies: an intimate letter to a stranger
I never approved of talkies. Silent movies were well on their way to developing an entirely new art form. It was not just pantomine, but something wonderfully expressive.
I still think it's really quite wonderful when I read a sentence of mine and it has that quality of lastingness.
The more I think about it, the more I realize there is nothing more artistic than to love others.
It's like these ideas, these characters, kind of bubble up inside me, and one day they're not there, and the next day they are there. They're alive, and they're whispering in my head and all that stuff, and I want to write about those things.
And for the first time in hundreds of years, the night came alive with the music of dragons.
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